Word: popped
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Dates: during 1990-1999
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...Sadly, the crowd's overt apathy extended unfairly to the opening band, Gorky's Zygotic Mynci. The band's Welsh nature and English pop sensibilities (crafted in the tradition of late-'60s Beatles or Beach Boys) were mostly lost on a polite but uninterested audience. Touring in support of their latest release Spanish Dance Troupe, the band played their heart out. Highlights included the raucous "Poodle Rockin'" and an acoustic interlude, complete with the soothing violin of Megan Childs. The band put on a good, energetic show, and it was sad to see the chilly reception for most...
...contrast to the more pop-based sensibilities of the previous groups, Ari Welcom and Co. was an unabashed hard rock band. Coming on at midnight, the group announced its intentions upfront, kicking off with a long, looping guitar introduction (courtesy of guitarist Duane Koh '00) filled with feedback and distortion. The dreadlocked lead singer, Alvin McCottry '00, unfortunately sounded muffled throughout, drowned beneath a sea of distortion from the sometimes overly self-indulgent guitarists. Still, the group's drum-intensive cover of Nirvana's "Smells Like Teen Spirit" inspired manic pogoing among some of the faithful who had remained, even...
...where the duo rapped about any topic the audience threw at them, improvising some delicious rhymes seemingly from leftfield: Christmas ("seemed last year I got a Sega Genesis/Now my Ma's my nemesis") and the X-Files ("it's really complex/To analyze what's next"). Scott & Chiqui displayed impressive pop-culture name-checking ("Just last week I saw Princess Amidala/Grab Portman by the collar"), a sense of humor (somehow Roy worked in the lyrics of the dreidel song in his rap on Hanukkah). "Have you ever heard of freestyle like this?" they asked in one of the songs...
...Stereolab is too cool for you. Last Sunday, everyone's favorite Boston booty palace, the Roxy, was the unlikely host to the London-based experimental rock/electropop band best known for what they have titled "ambient boogie." Their music is a heady mix of everything from Muzak to French femme-pop, from acid jazz to industrial German kraut-rock, tied up into neat little alt-rock packages with the silky ribbons of Mary Hansen's lead vocals...
...okay: Sadier's harshness and Hansen's softness mixed together as well as Stereolab's other songwriter (and founder) Ti Gane can mix Muzak and German post-punk, the listless vocals carried along like a beauty queen in a homecoming parade of sound clips, acid jazz and dippy pop...