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...their own. "It used to be that kids went to the movies once and saw a film and then if they wanted to revisit the film and enter that world again, they played about it," says Linn. Now, instead of recreating Snow White's world in their heads, kids pop in the DVD and mouth along to "Magic Mirror, on the wall, who is the fairest one of all?" over and over again. Media-linked toys aren't just making it hard for kids to learn to play creatively, they're making it hard for them to grow into interesting...
...with the greening of politics and pop culture--from Al Gore to Leo DiCaprio to Homer and Marge in The Simpsons Movie--TV is jumping on the biodiesel-fueled bandwagon. In November, NBC (plus Bravo, Sci Fi and other sister channels) will run a week of green-themed episodes, from news to sitcoms. CBS has added a "Going Green" segment to The Early Show. And Fox says it will work climate change into the next season of 24. ("Dammit, Chloe, there's no time! The polar ice cap's going to melt in 15 minutes...
...green" house. Next year Discovery launches 24-hour eco-lifestyle channel Planet Green, a plan validated this spring when the eco-minded documentary Planet Earth became a huge hit for Discovery. "Green is part of [Discovery's] heritage," says Planet Green president Eileen O'Neill. "But as pop culture was starting to recognize it, we realized we could do a better job positioning ourselves...
...What Presley and Parker didn't understand was the revolution Elvis had created. He had overthrown the empire of nice; now the outlaw was in. Later pop stars, like Bob Dylan, Mick Jagger, didn't sanitize themselves for the mass culture. They knew they were the mass culture, and they did films only as a lark. They had seen what indenture to the old Hollywood dream had done to Elvis: a bunch of B movies that betrayed his revolutionary promise, neutered the sneering sexuality of his early live performances. His top-of-the-charts ballads might have enlarged his audience...
...Crosby, no less an innovator than Elvis, was the first to play to the microphone in the recording studio, not to the last row in the vaudeville balcony. With his easy baritone (the top singers of the time were tenors), he introduced intimacy to pop music. Sinatra, whose bobbysoxer fans squealed as ecstatically in World War II as Elvis' would in the Cold War days, added a knowing sexuality to his exquisite reading of a lyric. His voice knew all the angles to any emotion. Sinatra was the citywise predecessor to Presley's Southern teen, hotrodding to the cathouse...