Word: popping
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Dates: during 1960-1969
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...GLASS BOOTH. Robert Shaw indulges in some pop psychologizing in this complicated yarn about a Jewish business tycoon in Manhattan who is uncovered as a Nazi war criminal, then brought to trial in Tel Aviv, where he is uncovered again as a Jewish concentration-camp prisoner from World War II. Even the amazingly agile acting of Donald Pleasence and the sensitive direction of Harold Pinter cannot give substance, theatrical or philosophical, to a spurious script...
...deep in Egypt's heartland. By the light of a nearly full moon, a band of airborne Israeli commandos penetrated farther into enemy territory (140 miles) than they had ventured even during the war. Then the force split into three groups. One squad assaulted the bridge at Qena (pop. 40,000), a $5,000,000 span completed only this year. Another attacked the bridge-dam at Nag Hammadi (pop. 20,000), whose lock controls the flow of water for irrigating upper-valley sugarcane fields. The third hit the nearby Nag Hammadi electric power station, one of the four major...
...months old, I-I is entertaining as well as profitable. Behind its TIME-sized, pop-art covers often lurk such pro vocative questions as "Is 35 over the hill these days?" (on Wall Street, that is) and "What makes Dallas that way?" It also prints lively and not altogether flattering profiles of leading moneymen...
...town of Graceville (Pop. 2,500) squats just inside the Florida line, in the company of Noma and Esto and Miller Crossroads, like a turtle broiling in the oppressive Florida Panhandle. The monotonous inland heat is broken only by occasional swirls of wind which lift the fine sand from the sidewalks and scatter it against the weathered frame buildings. Along Brown Street, the main drag, ragged white farmers and mute Negroes sprawl on benches propped against the buildings in the shade of awnings. There is not much for them to do except read the Dothan (Ala.) Eagle or dip snuff...
...this didn't render the whole scene ludicrous, Hoye tops it off with one of the great near sneak plays of our time. The cop tells the father that Paul was one of the assailants, but pop is indignant, defending his son to the death. My son was chasing after them, he says, trying to protect my money. No, the cop says, your son is a crook. Pop immediately changes his mind and turns on his son and tries to kill him. In other words, Pop goes from love to hate in thirty seconds. Almost, but not quite, Mr. Hoye...