Word: poppings
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Dates: during 1950-1959
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With the decline of such established feuding centers as Corsica, Sicily and Harlan County, Ky., the killingest people on earth today may well be the citizens of Ilocos Sur province (pop. 275,000) in northern Luzon. There, long before dusk, nervous wives set out the evening meal and draw the shutters, for, as the local saying goes, when the sun sets, blood begins to flow. Last year 87 murders were recorded in the province, and no one knew how many others went unreported by Ilocanos who did not want to get involved as witnesses. In Ilocos Sur's capital...
...decades since then, few foreigners have seen Bukhara. But its neighboring ancient cities on the vast Central Asian steppes seem to have learned their lesson. In the bustling streets of modern Tashkent and the redolent, mud-walled courtyards of Samarkand (pop. 170,000), short, moonfaced Uzbeks with golden skin and embroidered skullcaps no longer call the Russians hated koperlar (infidels). The commissars have done their work well. This summer hundreds of tourists, many of them Americans, flying southeast from Moscow in swift TU-IO4 jets that make the 2,500-mile trip to Tashkent in four hours, have been rewarded...
Kazakhstan (pop. 9,300,000), almost as big as all of Western Europe, is second only to the Ukraine as the breadbasket of the nation. It is Russia's top lead and zinc producer, the second-largest source of copper. Its capital, Alma-Ata (Father of Apples), where Leon Trotsky was exiled in 1927, is full of bleak new Soviet-style construction. A more recent exile from Moscow, ex-Premier Georgi Malenkov, now runs a hydroelectric power station at Ust-Kamenogorsk. Uzbekistan (pop. 8,113,000), with new irrigation projects, gives Russia two-thirds of its cotton. Its capital...
...other side of Communism's smile was visible last week in Laos; the little landlocked Asian kingdom (pop. 2,000,000) which is menaced by two Red neighbors...
...build up her voice electronically to help it ride over the orchestra, rarely manage to synchronize her song with the "singer" on the screen. The offbeat result helps the audience identify Lata. And in Indian movies (TIME, Jan. 5)-three-hour, syrupy soap operas relieved by interludes of pop music-the audience likes to know who is actually carrying the tune. With Lata the moviegoers can hear their favorites in any one of twelve Indian dialects, and her popularity is such that she never changes her soft tone .or lilting style to fit the character on the screen. The effect...