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...Beatlemania is the comparison that everybody makes, but Twilight is more like the Beatles in reverse. Beatlemania was a reaction to the buttoned-down, sexually repressed pop culture of the 1950s. Twilight is a reaction to the reaction - it's a retreat from the hedonistic hookup culture that the sexual revolution begot. Nobody hooks up in Twilight. Meyer put sex back underground, transmuted it back into yearning, where it became, paradoxically, exponentially more powerful. "For me, the appeal of the vampire is safe sexuality," says Melissa Rosenberg, who has written the screenplays for all the Twilight movies...

Author: /time Magazine | Title: It's Twilight in America: The Vampire Saga | 11/23/2009 | See Source »

...Annie isn’t ashamed of her distinctly ’80s-throwback sound. Instead, she triumphantly embraces it—from hairstyle ondown. And with music this striking and a vocalist this endearing, the kitsch is nearly irresistible. Among a slew of recent ’80s pop revivalists, Annie simply does it better than the rest...

Author: By Daniel K. Lakhdhir, CONTRIBUTING WRITER | Title: Annie | 11/20/2009 | See Source »

...Heartbeat” here; there’s barely even a “Chewing Gum.” But it makes up for the absence of immediate standouts by consistently delivering the goods: there are more hooks on this album than some pop artists deliver in a lifetime. From the disco minimalism of the title track to the spaced-out lustfulness of “Take You Home,” this is electropop as it should be—and rarely ever...

Author: By Daniel K. Lakhdhir, CONTRIBUTING WRITER | Title: Annie | 11/20/2009 | See Source »

...past, Jones has showcased her jazzy vocals over simple accompaniments. On “Come Away With Me,” winner of the 2003 Grammy for Best Pop Vocal Album, and 2005 Grammy nominee “Feels Like Home,” she masterfully combined minimalist keyboard and guitar work with pensive lyrics and lilting melodies. To a certain extent, the singer-songwriter continues in this vein on her latest album...

Author: By Antonia M.R. Peacocke, CRIMSON STAFF WRITER | Title: Norah Jones | 11/20/2009 | See Source »

Musically, the album does not break a tremendous amount of new ground, but rather smoothes and refines the sound Mayer has developed over the past few years. The eleven tracks strike a pleasing balance between the acoustic pop of “Room for Squares” and the electric blues-rock throwback of 2006’s “Continuum.” The gorgeous “All We Ever Do Is Say Goodbye,” with its simple guitar strumming, melancholy strings, and stunning vocal harmonies, is the album’s clear standout, sounding...

Author: By Zachary N. Bernstein, CONTRIBUTING WRITER | Title: John Mayer | 11/20/2009 | See Source »

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