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Henry G. Saperstein, the film's executive producer, once boasted, "We thought of several endings, decided against the Mary Poppins type or the heroic windup of a John Wayne melodrama." They decided, in fact, on no ending at all, as if Director John Boorman had got weary of all...

Author: /time Magazine | Title: New Movies: The Odd Couple | 2/21/1969 | See Source »

In a swirl of capes and costumes, balloons and special effects, the Potts come to the rescue, triumphing over twin evils: the baron and the score. Written by Robert and Richard Sherman (Mary Poppins), the eleven songs have all the rich melodic variety of an automobile horn. Persistent syncopation and...

Author: /time Magazine | Title: New Movies: Chug-Chug, Mug-Mug | 12/27/1968 | See Source »

Divorced. By Julie Andrews, 32, Hollywood's merry money magnet (Mary Poppins, The Sound of Music): Tony Walton, 33, British set designer; on grounds of mental cruelty; after nine years of marriage, one child; in Santa Monica, Calif.

Author: /time Magazine | Title: Milestones: May 17, 1968 | 5/17/1968 | See Source »

"THE FEMALE," the New York Daily News said, "makes I A Woman look like Mary Poppins." In truth, it make Last Year at Marienbad look like The Great Escape.

Author: By Andrew Jamison, | Title: The Female | 3/23/1968 | See Source »

BUT the questions are imaginative and provoking: Twice Borges exclaims, "I never thought of that" (a remarkable reaction from a man who seems to have thought of more than anyone else) and goes on to speculate on why verse is somehow sadder than a prose treatment of the same subject...

Author: By Jack Davis, | Title: The Island | 2/17/1968 | See Source »

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