Word: pops
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Dates: during 2000-2009
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...Fair Lady. Nostalgia, as wispy as the scent of marijuana that permeated the SkyDome, is itself decadent. By highlighting the past, Madonna is saying the present has little to offer. In doing so, she is also forging a bond with her loyal gay audience. It is an axiom of pop culture that no uncloseted gay man can be a star but that women can be stars by appropriating gay motifs. Bette Midler steals gays' jokes; Madonna steals their style. It's not just in the Nazified naughtiness of her night-at-the-Anvil routines, or the treatment of boys...
...this side of Meat Loaf. In this high-priced age of media sports, a team has to have sex appeal, charisma and watchability, and the Phillies fill the bill. If the phrase ''winning ugly'' had a face, it would belong to left fielder Pete Incaviglia, who thunders toward a pop fly and doesn't catch it so much as consume it. If ugly had an attitude, it would belong to center fielder and team firebrand Lenny (''Nails'') Dykstra, the Dead End Kid with an endless muddy stream of epithets and tobacco juice. If it had a clotheshorse, it would...
...Vedder is a product of the thriving world of alternative rock, a musical genre that rejects the commercial values of mainstream pop. Alternative has no strict definition, but it has a feel. Its musicians reject show-biz glitz. They support progressive social causes. Many of them avoid dating groupies and models. Their music is usually guitar-driven, with experimental touches. While pop songs are often about love, alternative lyrics are usually about tougher feelings: despair, lust, confusion. Alternative rock is a reaction, especially among the twentysomething generation, to all the years of being subjected to Madonna's changing hair color...
...Seattle's Sub Pop Records was founded in 1986 to capture the musical moment, market it and move on to the next moment. Sub Pop co-founders Jonathan Poneman and Bruce Pavitt envisioned their small record company as a kind of Motown of the Pacific Northwest. "The problem with the music industry in the '80s was that the major labels had their doors shut to new ideas," says Pavitt, who used to work for Muzak, the elevator-music company...
...Pop's proprietors had keen ears. They produced some of the first recordings by a whole string of bands that went on to national success: Nirvana, Smashing Pumpkins, Soundgarden and Alice in Chains. As soon as the bands became widely heard, however, they jumped to major labels. After Sub Pop's most promising band, Nirvana, left the company and released the huge hit Nevermind (more than 4 million copies sold) on the Geffen label, other major labels began an indie-band feeding frenzy. Bands that had been playing in taverns were being offered $300,000 contracts. Many of these groups...