Word: pops
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Dates: during 2000-2009
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...winning the Eurovision competition with Waterloo, and the quartet - Andersson, Ulvaeus, Agnetha Faltskog and Anni-Frid Lyngstad - lasted eight more years, breaking up in 1982. Then what? The lads did what songwriters like Irving Berlin and the Gershwins used to do after proving themselves on the pop charts: they wrote a Broadway-style musical. (Check out TIME's review of the big-screen Mamma...
...stage version spawned three Top 10 hits - "One Night in Bangkok," "Nobody's Side" and "I Know Him So Well" - and impressed many listeners as having the richest score of the decade. Or, he added defiantly, any decade since. Andersson, who had shown a mastery of the pop idiom as composer of the music for the ABBA songs (Ulvaeus wrote the words), tapped a symphonic romanticism that wedded Richard Rodgers to the brassier modern idiom. The Andersson-Ulvaeus partnership was poised to dominate Broadway. (See TIME's top 10 plays and musicals...
...walk among us with a greater potential to create things of worth doesn’t mesh terribly well with our country’s democratic values, after all. New Yorker writer Malcolm Gladwell tapped into just this everyman conception of genius in last year’s bestselling pop science book, “Outliers.” Reaching the top levels of a chosen field, he explained, simply requires a combination of hard work and luck—with a minimum of 10,000 hours of practice, anyone can be a winner...
...marketing gurus for the series could hardly have dreamed of a better promotional gimmick when they started to investigate the backgrounds of the dozens of pop-star wannabes to root out the competitors' mushy stories of triumph over adversity that are a well-worn staple of the genre. Here was a tale guaranteed to attract eyeballs: a girl of mixed race, brought up by a single Chinese mother, struggling to gain acceptance in a deeply conservative, some would say racist, society...
...island where communism is the de facto state religion, it was a refreshing shock on both sides of the Florida Straits to see the hallowed Revolution Plaza packed not for a 10-hour Fidel speech but for something as joyously secular as a pop concert. As Granma itself noted afterward, there was "no political manipulation of cultural expression ... just a vote for human understanding." And while that's to the Castros' credit, the truth is that the long-term effects of that sort of nondogmatic fiesta don't always favor systems like Cuba's. Says Daniel Erikson, a senior associate...