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...didn't even tell them that the very popular, and very good, Pixar cartoon Ratatouille lost out to a French movie about the troubles in Iran. (Though Persepolis, take my word for it, is funny.) By the time I'd got back to my office I had realized that we critics may give these awards to the winners, but we give them for ourselves. In fact, we're essentially passing notes to one another, admiring our connoisseurship at the risk of ignoring the vast audience that sees movies and the smaller one that reads...

Author: /time Magazine | Title: Do Film Critics Know Anything? | 12/10/2007 | See Source »

...Actually, it's hard to tell which if any of the critical faves will be popular, because most of the big winners (Diving Bell, No Country, Persepolis, Starting Out in the Evening, Sweeney Todd, There Will Be Blood) are November or December releases. Half of them haven't hit the commercial theaters yet. Maybe the critical establishment has A.D.D...

Author: /time Magazine | Title: Do Film Critics Know Anything? | 12/10/2007 | See Source »

...ever accused Hollywood of having guts. American movies have routinely made mock of priests and ministers, but in R-rated comedies and miniature indie dramas. Yet when the notion is raised of being faithful to a popular fantasy series that takes a caustic view of organized religion, the moguls become as cautious and pious as Republican presidential candidates...

Author: /time Magazine | Title: What Would Jesus See? | 12/8/2007 | See Source »

...live electronica album, besides pointing out the performance’s inherent irony? (Yeah, we get it: you’re two humans making “live” robot music. That’s funny.) With regard to the first question: because they’re popular and they’ve affected popular culture. Daft Punk has been bringing electro to the mainstream for the last ten years with their largely inoffensive and sometimes-boring dance beats. Hip-hop has hooked on—listen to Kanye’s “Stronger?...

Author: By Elsa S. Kim, CRIMSON STAFF WRITER | Title: Daft Punk | 12/7/2007 | See Source »

...life of a struggling composer, Jonathan Larson’s play “Tick, Tick…BOOM!” channels all these emotions in full force. The play will run Dec. 6-16 in the Adams Pool Theatre. Larson, who is most famous for writing the popular musical “RENT,” largely based this earlier work on his own experiences. “What makes this show amazing is the fact that this play is really a window into the mind of one of the 20th-century’s great composers...

Author: By Rachel A. Burns, CONTRIBUTING WRITER | Title: Quarter-Life Crises Explode in ‘Tick, Tick...BOOM!’ | 12/7/2007 | See Source »

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