Word: populars
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Dates: during 1950-1959
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Buildup. Castro has still not gained enough popular support to bounce Batista, but Reporter Mallin saw surprising military strength in the mountains. Ammunition, once scarce, is now plentiful enough to be wasted on potshots at coconuts. The armed, uniformed men in the Sierra del Cristal (where Raúl Castro holds out) and the neighboring Sierra Maestra (Fidel Castro's headquarters) total at least 2,000. The rebels have a pool of stolen trucks and jeeps, operate an airstrip into which arms are flown from some mysterious supplier...
...Puccini, by George R. Marek (which draws much of its material from previously unused letters). The reason perhaps is that Puccini's life seemed to sound a few simple themes, uncomplicated by the frailty of a Mozart or the herculean sufferings of a Beethoven. He looked less the popular image of an artist than of a successful banker, and he probably made more money from his music ($4,000,000 at the time of his death) than any serious composer before or since. He surrounded himself with yachts and expensive motorcars, maintained several estates and a game lodge, dyed...
...meeting creditors. Puccini scored a critical success with his first opera, a one-acter entitled Le Villi, but he did not win a large following until at 34 he collaborated with his two most successful librettists, Giuseppe Giacosa and Luigi Illica, to produce Manon Lescaut. After that his popular success was secure...
...went, and half the villagers boycotted the church. One day a young (33), eloquent Baptist minister came to the village, was challenged by a priest (and locally famed Bible expert) to a Bible quiz in Latin and Greek. After four hours and 45 minutes, the Baptist came out the popular victor. Encouraged by his success, Pastor Graziano Cannito began to hold services in a private house, soon chalked up 70 Sant'Angelo conversions. In nearby towns, which he tirelessly covered in his little Fiat, he had made more than 300 other converts...
...Moral Ambiguity. As Daniels sees it, the Prince of Carpetbaggers was part scoundrel and part scapegoat and, as such, an apt symbol of the moral ambiguity of the Reconstruction period. Author Daniels argues that U.S. folklore has too gullibly enshrined the popular Southern myth of the carpetbagger as a devilish Yankee loot-and-run artist. In fact, he was sometimes a champion of Negro rights, sometimes a businessman with venture capital to invest, sometimes a restless Northern war veteran with a yen to revisit the South. If the carpetbagger's hand was plunged in the public till...