Word: porches
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Dates: during 1960-1969
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Take a look at Walker Evan's pictures of rural Alabama homes during the depression. It is the same here. Small children play in the front yard near the rusting skeleton of an auto chassis. Old people sit on the sagging porch. The others are chopping cotton in the nearby fields, wearing broad hats to keep off the sun. Long rows of cotton and corn lurch unsteadily in the waves of heat. When a car passes the dust seems to boil up off the dirt road and settles everywhere...
...large those are not the kind of white people that the civil rights worker gets to know in Mississippi. Most workers get used to the cars that slowly circle the freedom house, drivers glaring at summer volunteers who sit on the porch. Or the carloads of white men, speeding past on the highway screaming curses into the wind and thrusting their arms into the air in obscene gestures. Every field worker experienced the automobile chases by dark and daylight. Seventeen cars chased freedom workers back to Holly Springs at speeds over 100 m.p.h. after one night meeting in Oxford, Miss...
...handsome old woman rocks on the porch of her once proud but now paint-flecking home. Her husband is dead; her son is in exile; her maid, whom she reared from childhood, will soon be moving out. "And then," sighs the woman, "who will stand in line for me?" She is painfully alone. This is no longer her Cuba. It is no longer the Cuba of anyone's memory. "La Roca?" puzzles the young boy in the starched militia uniform. "Oh yes, it was an old restaurant that used to grovel for Yankee dollars before the revolution. I never...
...samurai code of honor breaks down when they present themselves in turn at the household of one Lord lyi, begging for "a corner of the porch" on which to commit harakiri-a sham heroism often used by ronin to draw out an offer of a job. After the first young warrior's ignoble death is forced upon him, largely as a diversion for the courtly company, a seasoned old fighter Tsugumo (Tatsuya Nakadai) arrives seeking vegeance. The Tragedy unfolds austerely in flashbacks framed by Tsugumo's rather wordy debate with Lord Iyi's chief retainer, whose ridgid...
...been slow coming to the U.S., which started off as a smalltown country whose settlers and their houses were few and far between-a place where people had to sit out front on a summer evening to see what was going on. Over the years, however, the front porch faded from importance and today, with more people living in more houses, with housing developments creeping into lakes and rivers and across the land, window shades are almost the only means of privacy. And no one cares much for waving at passersby...