Word: porgi
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Warren, as the lovestruck Countess, lyrically opens the second act with her sorrowful "Porgi, amor, qualche ristoro al mio duolo, a mieis sospiri" aria ("Grant, love, that relief to my sorrow, to my sighing"). Aided by a dramatic blood-red backdrop, she expresses her grief over her unrequieted love for the Count. Although wooden at first, Warren's Countess warmed up as the action heated up. She does, however, keep a cool distance from the audience as well as from the Count, who is well-played by Kravitz...
...little cherub, but a hot-blooded youth out to touch, hold, kiss and sleep with any woman who will have him. The result is that Cherubino becomes the mirror reflecting everyone else's sensuality. Other directorial details linger in the memory: the Countess singing of her lost love (Porgi amor), while behind her lies a trampled bed, the obvious result of a night of lonely tossing; the haunting way the light in the palace recedes in different layers of intensity as the day wanes...
...Porgi Amor--Aria from "Marriage of Figaro...
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