Word: porgolesi
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Dates: during 1943-1943
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...arrangement of a suite by Pergolesi, by contrast retained only the form and melody of the original, progressively adding more and more idiom to each of the eight dances. There was, however, within the movements, considerable alternation between the two styles, the softer and slower passages being nearly pure Porgolesi, the louder and faster passages principally Stravinsky. There were the typical Stravinsky cross-rhythms, two against three, throbbing dissonances in the trombone and basses, mechanically repeated figures for pizzicato strings, and, at the end, circus-style trombone "smears" for satirical effect...
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