Word: porker
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Dates: during 1960-1969
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Futz loves his pig. That isn't graffiti; it's a plot. Futz is an Appalachian farmer whose great pleasure in life is making love to a porker named Amanda. Naturally, his narrow-minded neighbors are upset. The village slut plots revenge on Farmer Futz after he invites Amanda along on a tryst. She persuades a local homicidal maniac to claim that he killed a village girl only after seeing Futz and Amanda in the throes of passion. That's grounds right there for the sheriff to grab Futz and toss him into jail, where the indignant...
...voices-strident and self-confident, proud and often contemptuous-naturally grates on the ears of their elders.'' Not this elder. These courageous young men and women are in existential revolt against the WASP suburbanite society, whether its members style themselves "liberal," "conservative," or "moderate" (a blue-ribbon porker is still a pig). Gustave Flaubert put it this way: "Hatred of the bourgeois is the beginning of all virtue " Can you dig it? The kids can. I affirm their stand...
...lakefront tent village in Grant Park, where they can groove on folk songs, rock bands, "guerrilla" theater, body painting and meditation. Through the park they will bear on a blue pillow their very own presidential candidate: Lyndon Pigasus Pig, a ten-week-old black and white porker now afattening at the Hog Farm, a hippie commune in Southern California. Other possibilities being considered: a lie-in at Chicago's O'Hare Field to prevent Democratic delegates from landing or, failing that, a fleet of fake cabs to pick up delegates and dump them off in Wisconsin...
...lost a bet." The bet, he added, was with Friend Philip Rosenthal, owner of the Rosenthal China Co., who brought out a line of china that Gropius was willing to bet would not sell well. The architect offered to pay off in a new home for Rosenthal's porker Roro. Rosenthal's plates have sold splendidly, and Gropius' architecture firm is now busily at work, said an associate, "studying how pigs live...
While the Marxist polemics are dated-who keeps servants, anyway?-the psychological tensions of the play are intact. Actor Roger Hamilton is a bristling porker of a Puntila, rutting, grunting and swilling his way through the part, but Michael Fairman's Matti is a trifle too stiff and condescending to be a Sancho Panza foil to this flamboyantly intoxicated Don Quixote...