Word: porno
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...topic du jour. "Judges can see Deep Throat but they can't listen to those [Nixon] tapes." Bob Hope said, "I went to see Deep Throat cause I'm fond of animal pictures. I thought it was about giraffes." When Bob Hope makes a joke about your porno movie, you've arrived...
...best to make his leading lady look good. He gave her an alliterative, movie-star name and devised costumes, lighting tricks and cagey camera angles to hide her abdominal scar, a memento from an earlier car wreck. Linda was no goddess, but neither was she your standard porno skank; she was slim and freckled, and her inexperience on screen played like freshness, innocence. Moreover, the movie itself had such an easygoing good nature that audiences could enjoy it without feeling dirty - more startled and amused...
...Mafia? - but it did allow him to pursue his dream of being a respected film auteur, though still in hardcore. Most directors with a left-field mega-hit would instantly crank out another picture in the same genre. Not Damiano. He used his cash, and cachet, from his silly porno comedy to make a super-serioso drama: Devil in Miss Jones. And this time under his own name. Reading the script, Reems told his friend: "Gerry, it's a steal. This is No Exit in its thinnest disguise." To which Damiano replied: "Well, what do you expect? I wrote...
...Damiano said that after the success of Deep Throat, "If people wanted to interview me because I was a porno filmmaker, I just was not interested in talking to them." There had been gifted directors - Radley Metzger, Russ Meyer - making softcore in the '60s, but Damiano had higher ambitions. He wanted to be Ingmar F---in' Bergman...
...made a couple more ambitious porn films: the psychodrama ghost story Memories Within Miss Aggie (1974) and the dreamy, Marienbadesque The Story of Joanna (1975). But by then, porno was an industry, and it relied less on artistic pretension than on grinding out product. In the next 20 years, Damiano put his name on another three dozen or so hardcore movies, none of which made much of an impact. Like silent-film director D.W. Griffith in the talkie era, Damiano was a pioneer whom new trends left behind. According to the local News-Press, he "lived out his final years...