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...Morro, a contemporary landscape with figures, by Brazil's No. 1 modern Painter Candido Portinari...

Author: /time Magazine | Title: Art: Chicago's 37 | 11/27/1944 | See Source »

...American composer is Heitor Villa-Lobos, talkative, self-taught Brazilian, a man of tremendous energy who has written more than 1,400 pieces, and has said, "Better bad of mine than good of others." Last week, in connection with a big show of paintings by Brazil's Candido Portinari (TIME, Aug. 12), Manhattan's enterprising Museum of Modern Art did up Brazil's music in a package of six concerts. The Museum's elegant audiences and radio listeners gathered that African thumps and easygoing Portuguese tunes were Brazil's chief heritage. Wherever its music...

Author: /time Magazine | Title: Music: Choros in Manhattan | 10/28/1940 | See Source »

Disliked in his native Brazil because he insists on painting Negroes-who make up 30% of Brazil's population although most high-brow Brazilians like to ignore the fact-37-year-old Candido Portinari has had hard sledding in the salons of Rio de Janeiro. Second of twelve children in a family of impoverished Italian immigrant coffee workers, he got his first ideas about painting at the age of eleven, when a group of itinerant muralists did a job in the church of the little Sao Paulo town where he was born. They let him help mix their paints...

Author: /time Magazine | Title: Art: Italo-Brazilicm | 8/12/1940 | See Source »

Before long Portinari began to make money. He did it by painting gooily flattering portraits of Rio de Janeiro's dowagers, built himself a modest reputation as a portraitist whose talents for graphic euphemism could be depended...

Author: /time Magazine | Title: Art: Italo-Brazilicm | 8/12/1940 | See Source »

Today squat, whimsical Portinari is beginning to be rated as Brazil's, and probably South America's, No. i Painter. Already Detroit's up-&-coming Institute of Arts and Manhattan's Museum of Modern Art have arranged one-man shows of 130-odd Portinari canvases (for typical examples, see cuts p. 37). Recently Brazilians have let him paint frescoes for Rio's Department of Education Building and panels for Brazil's pavilion at the New York World's Fair. But Rio de Janeiro's salons still deplore his Negro subjects, prefer...

Author: /time Magazine | Title: Art: Italo-Brazilicm | 8/12/1940 | See Source »

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