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Word: portishead (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...anymore," he says, "because these extended length tapes of bubble-gum pop just play over and over and over." Griffin stays at Kinko's because he has learned how to beat their Muzak system by bringing in a car CD adapter for late-night Sublime and Portishead...

Author: By F. G. Tilney, | Title: Fifteen Minutes: Music Vs. Muzak | 11/18/1999 | See Source »

...everything and lets us choose. But we can't play anything too extreme---except late-night." If it was up to his tie-dyed coworker, Tessabelle Walker, "The only thing that would be playing is bootleg Phish and the Dead." Other Toscanini's staples include Portishead and Radiohead---and the microsundae...

Author: By F. G. Tilney, | Title: Fifteen Minutes: Music Vs. Muzak | 11/18/1999 | See Source »

...Europe, deejay culture is more widely accepted. Bands like Roni Size's Breakbeat Era--whose new album, Ultra-Obscene (XL/ 1500/A&M), is a winner--and Portishead--whose 1994 album, Dummy, is a classic--build their sound around the turntable. But in the U.S., turntable rock is just starting to have a real impact...

Author: /time Magazine | Title: Music: Rock's New Spin | 10/18/1999 | See Source »

...fact, the album calls to mind a litany of role models, with Trickyesque trip-hop rhythms and a funky bass that resembles Jamiroquai. The filtered vocals and heavy bass undercurrents of "Ironspy" could come right out of Portishead. While Splashdown's sound is not fully coherent, Melissa Kaplan displays a wide range on vocals that is at times beautiful, and if the group can manage to unify their sound, they may produce a stronger album. For the moment, this exploratory album gets...

Author: By Chloe Cockburn, | Title: Album Review: Redshift EP by Splashdown | 10/8/1999 | See Source »

...singer Louise Rhodes and multi-instrumentalist Andy Barlow--better known as Lamb--craft excellent trip-hoppy pop in an unmistakeably British style, like a less morose Portishead. That comparison, however, belies the nature of the duo's music. The soundscapes that Barlow creates behind Rhodes's voice refuse to gel into the standard trip-hop forms; bebop, drum 'n' bass and harsh techno beats all find their way into an eminently digestible mix. The band has undeniable indie cred: they've sampled Charlie Parker, scored a British hit with a song based on the work of classical composer Henryk Grecki...

Author: By Dan Visel, CONTRIBUTING WRITER | Title: Concert Review: Living Large With Lamb Live | 10/1/1999 | See Source »

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