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...poetry readings and reach new audiences. I first heard about them in 1991, when I reported on the growing phenomenon for TIME. Like many poets, I was suspicious of the concept. How could you judge poetry? Why would you want to? But when L.A.'s first team went to Portland, Ore., in 1996, I tagged along with some friends. While not everything I heard fit my definition of poetry, it was a Woodstock of words, images and rhythms that stayed with me for weeks. I got hooked. Now I am defending my title as 1997 Head-to-Head Haiku champ...

Author: /time Magazine | Title: It's Not Just What You Say, It's How You Say It | 9/7/1998 | See Source »

Briggs doesn't know for sure what killed his sons, but he believes that "if there had been an incubator, or modern medicine, I know they would have made it." So might many of the children surrounding them. Recently the Portland exurb of Oregon City has been shaken by what appears to be an ongoing horror in its midst. In June, Oregon state medical examiner Larry Lewman stated suspicions about the cemetery's owners, the 1,200-member Followers of Christ church. Over 10 years, he alleges, the faith-healing congregation's avoidance of doctors and hospitals may have cost...

Author: /time Magazine | Title: Faith Or Healing? | 8/31/1998 | See Source »

...know what it means," says Carl Bell, a University of Illinois psychiatry professor who has worked with troubled urban kids for two decades. "I've talked to seven-year-old kids who think when you're dead, you're just hanging out somewhere." And Paul Mones, a Portland, Ore., lawyer and a leading expert on young murderers, says, "Kids are naturally egocentric. Kids can be told they will go to hell, but they don't really think they'll go to hell. When kids lie about stealing a cookie, they don't feel bad like an adult...

Author: /time Magazine | Title: For They Know Not What They Do? | 8/24/1998 | See Source »

...your report about pay-for-play on the radio [SHOW BUSINESS, Aug. 3], you gave a false impression of the Flip Records/Interscope band Limp Bizkit. Although in the spring of 1998 Flip/Interscope did have a pay-for-play contract with radio station KUFO of Portland, Ore., the arrangement didn't really have any long-term impact on Limp Bizkit's success. Before there was significant airplay from any radio station, including KUFO, Limp Bizkit's debut record, upon release in July 1997, landed on the Billboard Heatseekers Chart and stayed there for more than 40 weeks; it will be gold...

Author: /time Magazine | Title: Letters: Aug. 24, 1998 | 8/24/1998 | See Source »

...Limp Bizkit is attracting less attention for its music than for one way the group made its breakthrough. In April its label, Flip/Interscope, signed an unprecedented contract with radio station kufo of Portland, Ore., agreeing to pay $5,000 in exchange for 50 plays of Bizkit's single Counterfeit. "Pay-for-play," as this kind of arrangement is called, is a controversial new twist on the old, discredited practice known as payola: instead of letting songs rise or falter on their merits in the tough record marketplace, some labels are improving the odds by paying radio stations cash to play...

Author: /time Magazine | Title: Is That a Song or A Sales Pitch? | 8/3/1998 | See Source »

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