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...Jude Law), an obituary writer and aspiring novelist, shares a moment of charged visual contact with a beautiful girl as he makes his way to work in London one day. Her name is Alice (Natalie Portman)—a hip, self-assured New Yorker who has just arrived in the city. An accident while crossing the street puts her in the hospital and Dan, although still a stranger to her, remains close by to offer help...

Author: By Tony A. Onah and Deborah Pan, S | Title: Film Reviews | 12/3/2004 | See Source »

...actors also do their part delivering the full emotional payload, especially Portman. As much as she manages to make you love her character—and it is hard not to after her adorable Buster Keaton references—she also convinces you that Alice may not necessarily be someone you want to have around. The actors are also all indebted to Marber for his witty and overall intelligent script, which makes a terrific transition from the stage to the screen...

Author: By Tony A. Onah and Deborah Pan, S | Title: Film Reviews | 12/3/2004 | See Source »

...Closer role appealed to Portman because she wanted to work with Mike Nichols, who directed her in a stage production of The Seagull in New York City in August 2001. For a few years, they searched for a project, briefly considering a movie about Andy Warhol star Edie Sedgwick before settling on Patrick Marber's play. Portman had avoided sexually charged roles ever since she played, in close succession, the street urchin in The Professional and the 13-year-old who flirts with Timothy Hutton in Beautiful Girls. "I had a bad early experience when The Professional came...

Author: /time Magazine | Title: Movies: A Fantasy You Can Bring Home to Mother | 11/29/2004 | See Source »

...world in which e-mail and cell phones filter so much human interaction, Portman believes that many people feel a lack of intimacy. "Almost everyone has been on one or more of the sides of the stories in Closer," she says...

Author: /time Magazine | Title: Movies: A Fantasy You Can Bring Home to Mother | 11/29/2004 | See Source »

...even though playing a pole dancer seems like a stretch, Portman doesn't see this character as being that radical a shift from her past roles. "I was the precocious one when I was younger, and now I'm the girlish one," she says. "Which ultimately means I've stayed the same. Which is not a good sign." Though it's precisely what makes all those men worship her. By Joel Stein

Author: /time Magazine | Title: Movies: A Fantasy You Can Bring Home to Mother | 11/29/2004 | See Source »

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