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Britain's Eric Portman is excellent as Cornelius Melody, a vainglorious Irishman who has quit the auld sod, risen to glory in Wellington's armies, been cashiered and is now living out his disgrace as a shabby saloon keep in the Boston of the 1820's. Helen Hayes survives her own saccharine whimsy as the harassed biddy married to a ruined cavalier, and Kim Stanley is impressive in the role of the old man's pride-ridden daughter. New Haven critics and audiences were divided, but "Con" Melody's brogue should still make...

Author: /time Magazine | Title: Show Business: Report from the Road | 9/22/1958 | See Source »

Rathbone was effective in the second play, if not quite up to his Broadway predecessor, Eric Portman. He was, however not really at home in the first play. He is habitually cool, clean, clipped and polished; and it was clearly an effort for him to be awkward, slovenly, and impetuous. The two stars enjoyed an uncommonly fine supporting cast--better than the Broadway one, and better directed...

Author: By Caldwell Titcomb, | Title: A Summer Drama Festival: Tufts, Wellesley, Harvard | 9/18/1958 | See Source »

...whose world is only in himself. When he takes his tumble, he's off stage, which is a good thing because he doesn't grab anything away from the women. He seems the least ambiguous character of the play and is ably, if not entirely audibly, portrayed by Eric Portman...

Author: By Gavin Scott, | Title: A Touch of the Poet | 9/18/1958 | See Source »

...unnaturally, suggests the stage of 1870. Everything personally intense and imaginative has vanished; something crucial-the time element that shapes crises and aids credibility-has been destroyed. For an act, as the emotional furniture is set in place in Designer Ben Edwards' gloomy, fan-vaulted hall, Eric Portman-playing Rochester in the manner of a wholly masculine Tallulah Bankhead-wards off collapse. But Jan Brooks is never Jane. Adapter Hartford's hand is never skilled, and things more and more creak till what goes up, quite melodramatically in smoke, is not so much Thornfield Hall as a mass...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, may 12, 1958 | 5/12/1958 | See Source »

...gave Charles Dickens' A Tale of Two Cities a revival that all but burst out of the TV screen. The play roiled with revolutionary turmoil, rang with Dickensian speeches by such able players as Denholm Elliott in the role of Charles Darnay, Rosemary Harris as his wife, Eric Portman as Dr. Manette and Agnes Moorehead, who played Madame Defarge as if the revolution depended on it. But Tale was the finest hour-and-a-half for Director Robert Mulligan, 33, especially in his mob scenes, and Scottish Actor James Donald, 40, who portrayed the cynical Sydney Carton with insight...

Author: /time Magazine | Title: Television: Review | 4/7/1958 | See Source »

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