Word: portnoy
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Dates: during 1980-1989
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...familiar story, and central to the Zuckerman books. The Ghost Hunter (1979) introduced a young Nathan, like Roth a Newark-born writer who was hailed as the most promising voice in American letters. Zuckerman Unbound (1981) found the hero in his 30s, beleaguered by celebrity and controversy. Carnovsky, a Portnoy-like novel, had angered the community and his own family. His father's dying word to his son was "Bastard." Roth's father, a retired insurance executive, is a vigorous supporter of his son's work...
...trilogy is Roth's most complex and structurally satisfying work. It is a disciplined string ensemble compared with Portnoy's Complaint, which had the primal power of a high school band. Yet Zuckerman and Portnoy have close ties. Both star in comedies of the unconscious, burlesques of psychoanalytic processes whose irreverence and shocking explicitness challenge the pieties that protect hidden feelings. "Ill tell you your calling," screams Zuckerman at Critic Appel, "President of the Rabbinical Society for the Suppression of Laughter in the Interest of Loftier Values! Minister of the Official Style for Jewish Books Other than...
...expressed similar sentiments, more suitably phrased for literary debate, in Reading Myself and Others (1975). In this collection of essays and interviews he answered his critics, among them Irving Howe. In the pages of Commentary, the monthly magazine of the American Jewish Committee, Howe rendered the solemn judgment that Portnoy's Complaint degraded American Jews. Roth saw the roots of such attacks in history. Wrote the embattled author: "He [the Jew] is not expected to make a spectacle of himself, either by shooting off his mouth or shooting off his semen, and certainly not by shooting off his mouth...
...fluctuations. Readers and critics kept expecting the fresh voice of that first book, while Roth labored to expand his range. Letting Go was a solid conventional novel about graduate-school life; When She Was Good told a depressing story of how a Middle Western girl became a man hater. Portnoy brought his distinctive tone back with a vengeance. Its success freed him from money worries but encouraged what he calls "the unreckoned consequences of art." It was as if the smartest and nicest boy in the class had robbed a bank. Says Roth: "I understood what literary fame and recognition...
...years it took to finally shut Zuckerman's mouth, he says, "Ten out of every twelve months spent writing are spent being wrong." This is a hard fact of literary life. It might well be the origin of Dr. Spielvogel's concluding line in Portnoy: "Now vee may perhaps to begin...