Word: portrait
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Dates: during 1960-1969
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...London last fall, sinuous Argentine Mannequin Norma Gladys Cappaglis, 21, predictably found someone who could get her a part in a movie. While in Rome waiting to start, she was immortalized by Italian Painter Gioacchino Parlato as she sat for the newest version of the old classic: a portrait of artist and model...
...Daddi's 14th-century twin-panel altarpiece of Virgin and Child and The Last Judgment, to the latest, a 1948 still life by Matisse, there is hardly a masterwork that reflects turbulent emotions Enthusiasm there is, such as in Degas' pastel Singer with a Glove, but most portrait subjects are caught in repose: Manet's pipe-puffing Smoker, Tintoretto's velvet-clad, regal Venetian Senator, Joos van Clève's Mater Dolorosa...
...Kassim government came to power, the British were selling him arms; their technicians were helping him reorganize his economy; their statesmen and industrialists were offering aid in a variety of areas. And all this, while Iraq was withdrawing from the Baghdad Pact, while the Communists waved Kassim's portrait in the May Day Parade, and while the press in both Iraq and Britain enjoyed and orgy of mutual slander which is only now beginning to abate. The British took these violent insults, even from Kassim himself, diplomatically. They didn't alter their foreign policy on the basis of what...
...Were Here." The son of Portrait ist John Butler Yeats, London-born Jack Yeats was more Irish at heart than either his father or brother. "We did not come with Elizabeth," he said, "or with Cromwell, or with Dutch William. We were here." He was a courtly, gentle man who daily fed the pigeons outside his Dublin house and often cut out puppets for children. "He always had a new joke to tell," says Irish Artist Norah McGuiness, "and never made a commonplace remark. He lived in a different world, and I wish I could have entered...
...Country. This study of Sigmund Freud and his famous patient Elizabeth von Ritter, although somewhat broken in impact, provides an often vibrant blend-as against the usual clash-of theater and truth. The play offers a vital portrait of Freud, ably acted by Steven Hill, and a crucial delineation of Elizabeth, intelligently played by Kim Stanley...