Word: portrait
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Dates: during 1970-1979
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...Portrait of a Marriage, Nigel Nicolson's bestselling immorality tale about his mother's lesbian affairs and his father's homosexual proclivities, schooled American readers in the eccentric love lives of the English aristocracy. Nicolson's mother, Vita Sackville-West, belonged to one of England's most venerable families; Knole, their fabled ancestral home, sheltered the sort of elaborate sexual and emotional transactions fashionable among the Bloomsbury set. But the Victorian era boasted its own dramas of unlikely passion: Vita's mother, Lady Victoria Sackville, was herself the illegitimate daughter of a Spanish dancer...
...over, you wonder if it was worth the trip. What you see on the screen is hardly more engaging than watching your neighbors. A lot of water passes under the bridge, but somehow it never reaches the other side. What does emerge is a very warm and compelling portrait of a young woman, Susan Weinblatt. But however appealing her character is, so little is required of her that we remain uninvolved. She ends up very much the way she started...
Girl Friends. Independently produced and directed by Claudia Weill '68, it's a pleasant but lightweight portrait of a young woman photographer in New York. She's a nice Jewish girl with a great sense of humor (your mother would love her), but unfortuantely the movie is a little short in the plot department. There are some great cameo roles by well-known actors, however; Eli Wallach as the 60-year-old rabbi she has a brief affair with is one of the best. It's short and sweet, and, all in all, a fairly innocuous way to spend...
...veteran actor, is in command of the American detachment and in solid command of the best starring role he has had in years (he was, of course, superb as the dying patriarch, a character role in Bertolucci's sprawling 1900). Without the slightest fuss, he gives us a portrait of a dutybound professional whose soldierly instincts tell him that his duty this time is madness. Revolt is beyond his character, but disgust is not. Lancaster's presence, carrying with it the memory of other wars (and a different sort of war movie), provides a kind of bench mark...
...EYES on the bookjacket portrait look into yours and seem to know you. They are kind, sad, wearied eyes that might weep but for the hint of humor around the mouth. Passionate conviction mixed with despair rest for a photographic moment on her face, one side in shadow, the other exposed by the sunlight. Tillie Olsen has seen...