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...wring hands, pat each other’s backs, and schmooze with each other before attending a superficial exercise to nominate a candidate who has already won the primaries. But that’s not what I saw. What I saw—all the way from an incredible portrait exhibit in the daytime convention center, where every issue group imaginable caucused each day, to my seat in a club space at Invesco Field—was a party comprised of incredibly varied and complex individuals...

Author: By Robert G. King | Title: Faces of the Party | 9/9/2008 | See Source »

...collected, like Sarah Lucas and Marc Quinn, to create the media phenomenon called Young British Artists. What they had in common other than age was work that was abrasive, unconventional and a little unappetizing - Lucas' first solo exhibition was called "Penis Nailed to a Board"; Quinn produced a self-portrait bust made from his own frozen blood. It was also calculating, the kind of work summed up as willing to shock, but sometimes it had less to do with shock than with the enduring British qualities of loathing and anger...

Author: /time Magazine | Title: Damien Hirst: Bad Boy Makes Good | 9/4/2008 | See Source »

...tanks of formaldehyde. Two years ago he showed a work derived from one of the anguished triptychs Bacon made after the suicide of his lover George Dyer - with slaughtered sheep substituted for Dyer. Hirst has been buying Bacons as well, five of them so far, including a self-portrait he picked up last November for $33 million...

Author: /time Magazine | Title: Damien Hirst: Bad Boy Makes Good | 9/4/2008 | See Source »

...Meanwhile, though he might not know it, Hirst has already produced his self-portrait. It's The Golden Calf, a king of the artworld hill, worshipped for being golden, and burdened by it too. Maybe after it's sold and gone Hirst really will be able to move on to another stage of his career...

Author: /time Magazine | Title: Damien Hirst: Bad Boy Makes Good | 9/4/2008 | See Source »

...novel encourages readers to do the same. I wonder, for example, what the First Lady would make of Jane Mayer's extraordinary account of the Bush Administration's torture policy, The Dark Side, which I read simultaneously with American Wife. It is no small astonishment that Sittenfeld's portrait of the President and his circle made Mayer's horror story more plausible for me: suddenly you understand how George W. Bush could abdicate his authority and allow Dick Cheney and his alarming chief of staff, David Addington, to abandon the Geneva Conventions and engage in the most gruesome forms...

Author: /time Magazine | Title: Private History | 9/4/2008 | See Source »

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