Word: portraited
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Dates: during 1930-1939
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...Roosevelt, Pringle was well qualified to write about the man whom T. R. picked for President and, later, bitterly denounced. Nearly 500,000 Taft letters and papers were placed at his disposal by the Taft family. The result: a play-by-play account of an underestimated administration, a just portrait of a just...
Photographs on exhibition show the help given by the X-ray in determining whether certain paintings are the work of Rembrandt or of his pupil, Ferdinand Bol, who studied under the master from 1635 to 1641. On one disputed picture, a portrait of "Saskia," the shadow graphs indicate that the underpainting is probably the work of Bol, while the final surface painting is probably by Rembrandt. X-ray evidence shows that several paintings, once attributed to Rembrandt, may really prove to be the work of Bol, whose underpainting is cruder and less decisive than the master...
...same room with the Derain painting are other fine examples of nineteenth and twentieth century art. We are fortunate in being able to see. Picasso's portrait of "Fernand Olivier," and find in the treatment of line and the philosophic calm an unmistakable declaration of indebtedness to some of the Chinese artists whose works are exhibited on the floor below. Subtle variations in the width and shape of lines, together with the apparently effortless rendition of form by means of this mode, serve to bring out clearly one phase of Picasso's electicism. Despite the fact that no single part...
Describing his role of Sheridan White-side as "an actor's dream," Woolley said however that the part "may resemble Alexander Woolcott, but is certainly not a portrait of him." He considers that the play has been much improved since Kaufman and Hart did the third act over: "The audience expects laughs all the way through, and now they get them...
...entered the Birmingham School of Art, was soon hailed as "a young Botticelli," won prize after prize there and at the Royal Academy Schools in London. A smooth success from his first one-man show in 1915, Limner Brockhurst charges up to ?2,000 for a full-length portrait, limits his commissions to ?20,000 a year. His person is as meticulous as his painting. He has a horror of Bohemianism, would rather stain his Bond Street suits with paint than cover them up with a smock. A famed impersonator, he is seldom asked nowadays for his best trick: looking...