Word: portraited
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...feet, and so fat that when he knelt to a lady she had to summon a servant to hoist him to his feet. Rather fussily elegant in his dress-flowered velvet suit, lots of ruffles, snuffbox to flutter over-Gibbon exuded a tepid blandness. Joshua Reynolds painted a deadly portrait of him. His profile is distinctly not that of a Roman emperor. He has the eyes of a maiden aunt, a tiny Cupid's mouth, and a second chin far more impressive than the first. Even his hands manage to look pudgily repressed...
...exhaustive version of the unfinished yet classic work popularly known as Gibbon's Autobiography, edited by Swiss Specialist Georges Bonnard, is now out in the U.S. Bonnard includes Gibbon's notes, his own, and two appendices. Nothing in these pages, however, suggests that Reynolds' portrait was misleading. The alliance of Gibbon and Rome remains one of those successful marriages that amaze by sheer illogic...
...cubicle recently built there. Inside that plastic cage sprawls Astroflash, the enormous IBM computer which, after great financial success in Paris, has invaded America's largest city. When equipped with a subject's place and exact time of birth, the mechanical monster will spew out an "astro-psy-chological portrait" and "an astralcalendar for the coming six months," at the rate of 1100 lines a minute. Trilingual as well as speedy. Astroflash I'l (its parent and predecessor remains in Paris) embodies, as the sign outside says, "a marriage of the ancient art of astrology and modern computer technology...
Both in their twenties, Lutin and Damaska also draw up private, individual horoscopes by hand. For this, they charge from 50 to 75 dollars. Sometimes the job takes them as long as two weeks. Astroflash performs in minutes, and the price for the combined portrait and calendar is a relatively moderate five dollars...
...before the mirror, is a Viennese painter working under the influence of LSD. One of 34 artists who participated in a controlled experiment to test the effects of the drug on creative activity, Rainer was alternately amazed, disturbed and delighted to find himself turning his face into a self-portrait. The sequence is one of the most dramatic moments in a film titled The Artificial Paradises, which will be shown on West German television next week. The guiding genie behind the tests was Dr. Richard Hartmann, a Munich psychiatrist and art dealer, working in conjunction with the Max Planck Institute...