Word: portraited
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...What impassions me most - much, much more than all the rest of my mŽtier's the portrait, the modern portrait...I should like to do portraits which will appear as revelations to people in a hundred years' time...I am trying to achieve this not by photographic likeness but by rendering our impassioned expressions, using our modern knowledge of an appreciation of color as a means of rendering and exalting character...
...artist but as a preacher. The exhibit unfairly glosses over this fundamental decision and instead simply begins with a short biographical history and places his first drawings from 1881 and 1882, when he was living in The Hague, in the same room. This section features van Gogh's first portrait and his dark drawings of pensioners in charcoal, chalk...
...Gogh's desire to experiment with color and pose to convey emotion. About this series, van Gogh wrote, 'if I manage to do this whole family better still, at least I shall have done something to my liking and something individual.' The placement of two different versions of a portrait of Augustine and the different versions of 'The Postman Joseph Roulin' make clear van Gogh's desire to see how background affects mood, reflecting an artist at play and alive...
...Arles section, van Gogh's tragic life at last truly emerges in full force. Fascinated by the idea of an artist colony, van Gogh begged Gauguin and Bernard to join him in Arles. The three exchanged portraits. Yet the MFA exhibit only shows the self-portrait van Gogh sent to Gauguin, which portrays him as a thinking man, deeply committed to art, in vibrant, unrealistic colors suggesting a remove from reality. If the curators had borrowed van Gogh's portraits of Gauguin and Bernard from Amsterdam, a much clearer reflection of van Gogh's insecurities and hopes might have emerged...
...Gogh Museum devotes almost half a gallery to van Gogh's work there, mostly paintings of the countryside in deep purples and dark greens. Images of death resonate in his depictions of reapers and harvests. While the intention of Face to Face is to focus on the portrait, one of his two final self-portraits is lost in the room's attempt to embrace a very intense period. This self-portrait caused van Gogh to allude to his own death, describing himself on the day he painted it as 'thin and pale as a ghost,' but it is barely noticed...