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...fable of a vicious, failed crime, renounces the garish naturalism of Reservoir Dogs. Swoon is artifice aspiring to art. So was the 1924 atrocity it portrays. When Nathan Leopold (Craig Chester) and Richard Loeb (Daniel Schlachet), two rich young homosexuals, murdered the child Bobby Franks, they were creating a portrait of themselves: powerful elitists, unsullied by the vulgarity of conscience. Director Kalin -- a comer -- is smart enough not to explain the murderers. Instead, in a chiaroscuro cinema style that suggests morgue photos taken by Cecil Beaton, he presents the pair as stars of their own camp pageant, a sickly sweet...

Author: /time Magazine | Title: Adding Kick To the Chic | 11/16/1992 | See Source »

Well, she did it her way, and the result is far from a disgrace. The singer's controversial life gets surprisingly tough-minded and balanced treatment. Philip Casnoff, who reproduces the young Sinatra's lean, hollow- cheeked look without blatant mimicry, creates a convincing, full-blooded portrait. And in the end, we have the music...

Author: /time Magazine | Title: Crooning To The Top | 11/16/1992 | See Source »

Litwack also presented slides of Beals' extensive portrait portfolio, which included photographs of Mark Twain, journalist Ida Tarbell, and Presidents Calvin Coolidge, William Taft, Herbert Hoover and Franklin D. Roosevelt...

Author: By David B. Lat, CONTRIBUTING REPORTER | Title: Photojournalist Beals Celebrated at Kronkite | 11/13/1992 | See Source »

...turns bully. The Prairie depicts a pioneer clan named Bush, whose family values include squatting and kidnapping. The new nation may have been led by paragons like George Washington and Thomas Jefferson; Cooper's characters were the nation they led. It is our first group self-portrait, and not an altogether flattering one. The man whose knack for heroics made realistic fiction in America all but impossible also showed how it could be done...

Author: /time Magazine | Title: Deerslayer Helped Define Us All | 11/9/1992 | See Source »

...more impressive than Leguizamo's acting is his writing. He has moved beyond performance art, which even at its best (Whoopi Goldberg, Eric Bogosian, Anna Deavere Smith) tends to be mere journalistic observation of relevant types, and has produced a true play. Each monologue adds depth to a group portrait of a family in pain, the members isolated in their individual differences yet always plausibly connected. Leguizamo turns stereotypes into rounded, real people and brings them under one roof...

Author: /time Magazine | Title: Thumbing A Hispanic Nose | 11/9/1992 | See Source »

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