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...somewhat underrated artist, as anyone might if he had to be constantly compared with Rubens, his master, and Titian, his even greater model. Especially, he is not well known to the American public, though some of his finest paintings are in America, owing to the vogue for his portraits among the robber barons of the early 20th century. Those who saw "Van Dyck in England," organized by Oliver Millar for the National Portrait Gallery in $ London eight years ago, are not likely to forget the impact of its high- strung, cool virtuosity. But the show did not travel...

Author: /time Magazine | Title: Art: A Meteor That Didn't Burn Out | 1/14/1991 | See Source »

...There is nothing intimidating about his work, as there often is about Rubens'. He loved private character and painted the interplay between that character and the public mask with a sensitivity that few artists have rivaled since. Sometimes he would seem to have done this by guesswork. His 1633 portrait of Henry Percy, "the Wizard Earl" who spent 16 years of his life immured in the Tower of London for his supposed complicity in the Gunpowder Plot, is an icon of saturnine intellect, from the same introspective domain as Robert Burton's The Anatomy of Melancholy. But Van Dyck probably...

Author: /time Magazine | Title: Art: A Meteor That Didn't Burn Out | 1/14/1991 | See Source »

...better than the last, or at least different in some incomparable way. Such is the case with his approach to Lewis, the British writer and celebrator of Christian thought who delighted both adults (The Screwtape Letters) and children (The Chronicles of Narnia). Fans should be warned that Wilson's portrait of the saintly don contains some fleshy demons...

Author: /time Magazine | Title: Best of '90: Books | 12/31/1990 | See Source »

...Henry: Portrait of a Serial Killer Bleakly dispassionate, wrenchingly violent, John McNaughton's study of anonymous psychopathy is a scary and scarring experience...

Author: /time Magazine | Title: Best of '90: Movies | 12/31/1990 | See Source »

...twinkle she has. More than 28 years after Monroe's death from a drug overdose at 36, the star's legend has not just endured, it has prevailed. The tide of Monroe reminiscences and memorabilia flows on. Two weeks ago, a watercolor self-portrait by Monroe, painted in 1955, was displayed in a collection of artworks by 40 celebrities, assembled as a benefit for the American Cancer Society. A series of photos of Monroe at 19, taken by an Army photographer when the actress was working at an airplane factory in 1945, has been unearthed for an exhibition opening...

Author: /time Magazine | Title: Show Business: The Twinkle Hasn't Faded | 12/17/1990 | See Source »

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