Word: portraited
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...sold at auction. It had been put on the block at Sotheby's in New York City by heiress Linda de Roulet, whose brother John Whitney Payson had sold Van Gogh's Irises for $53.9 million two years before. It was a far better picture than the Picasso self- portrait, Yo Picasso, that had made a freakish $47.85 million last...
...currently see from a loan show of its holdings at the Frick Collection). At least one museum, the Getty in Malibu, Calif., with its $3.5 billion endowment and almost limitless spending power, seems unaffected by the rise in price. In May it was able to buy Pontormo's Portrait of a Halberdier at Christie's for $35 million and last week Manet's acridly ironic view of a flag-bedecked Paris street with a war cripple hobbling along it for $26.4 million...
...brain. That photograph, and another in 1972 showing a naked young Vietnamese girl running in arms-outstretched terror up a road away from American napalm, outmanned the force of three U.S. Presidents and the most powerful Army in the world. The photographs were considered, quite ridiculously, to be a portrait of America's moral disgrace. Freudians spend years trying to call up the primal image-memories, turned to trauma, that distort a neurotic patient's psyche. Photographs sometimes have a way of installing the image and legitimizing the trauma: the very vividness of the image, the greatness of the photograph...
...midst of this superabundance, when the image bank is bulging with deposits, photojournalism is poised at a moment that holds triumphs and complex dilemmas. During the 1980s, magazines began using more pictures and giving them bigger space. It may be that too many were celebrity portraits and glamour shots, but the galvanizing news image and the serious photo-essay were never squashed by the sparkle and hype that squeezed them. Magazines in the U.S. and abroad sheltered indispensable projects like Sebastiao Salgado's global survey of work, Alon Reininger's portrait of the age of AIDS and the essays...
...Cover: Portrait of George Washington by Gilbert Stuart from Scala/Art Resource, N.Y. Teardrop by Tim O'Brien