Word: portraited
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Mikhail Gorbachev has a nightmare, and it keeps coming true. In various corners of the world's last empire, demonstrators wave placards, some of them bearing Gorbachev's portrait; they hurl slogans, including some he made famous; they taunt troops, all of whom he commands from Moscow. Shouts lead to shots, and a riot becomes an enactment of Gorbachev's greatest dilemma: the relaxation of control can also mean disorder, which in turn can provoke repression, reversing reform and jeopardizing the political survival of the reformer. Last week it happened in Tbilisi. Next week, or next month, it could happen...
...author, then 36, used these private notes as warm-up exercises for the day's work. He gave himself pep talks: "This must be a good book. It simply must. I haven't any choice." To readers today, the fascination of this document rests in its portrait of an artist at the peak of his skills. Steinbeck's outrage at the mistreatment of Dust Bowl migrants in California, which he had witnessed firsthand, fused with his storytelling abilities to produce the most powerful book he would ever write. It won him the Pulitzer Prize and contributed mightily to his Nobel...
After the Reagans, whose immediate familes were estranged and alienated, left the White House, the Bushes arrived, complete with family portrait. After hiring Roger Ailes and Lee Atwater and conducting one of the most brutal campaigns in recent memory, George Bush turned into Pappa Bush...
...song cues; Pitchford's songs are standard technopop, except for a comic showstopper, called Life Ain't Worth Livin' (When You're Dead), that the suicidal teens of Heathers might take to heart. Otherwise, Sing is strictly Gold Diggers turned to brass. In the latest teenpix class portrait, it's a dropout...
...detail is brilliantly successful: Schama's tale is vivid, dramatic, thought-provoking. Yet such is the current academic vogue for bloodless and pseudoscientific historiography that the author repeatedly feels a need to apologize for what he somewhat disingenuously calls a "mischievously old-fashioned piece of storytelling." If Schama's portrait of the revolution is often surprising in its closeup details, however, it is no less so in coloring the background imagery of the French society being overturned...