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...transcended the purely gustatory. The author of such critically touted books as Third Helpings (1983) and If You Can't Say Something Nice (1987), the Kansas City-born humorist, novelist and columnist also has a knack for capturing the offbeat flavor of American life. Last month Trillin contributed a portrait of Atlanta as part of TIME's coverage of the Democratic National Convention. This week Trillin's supple pen is trained on New Orleans, where the Republicans have converged for their own presidential hoopla...

Author: /time Magazine | Title: A Letter From the Publisher: Aug. 22, 1988 | 8/22/1988 | See Source »

...Yorkin thinks so. And, as director of this summer's flop Arthur 2 on the Rocks, he should know. Yorkin is steamed at critics who torpedoed his movie for its portrait of an insouciant inebriate. "Arthur is a fantasy , character," he spumes, "just like Roger Rabbit. But that movie is all about drinking, and it's being called one of the great movies of all time...

Author: /time Magazine | Title: Show Business: Hollywood Goes on the Wagon | 8/22/1988 | See Source »

...volume of his photographs that Robert Mapplethorpe published three years ago carried self-portraits on both front and back. There he was on one cover in a black leather jacket, sporting an updated biker haircut, with a cigarette dangling from his lips. It was the Mapplethorpe of whips and sexual appliances, the one who had careered into the art world in the late 1970s with images of homosexual sadomasochism. But on the back cover he offered a different version of himself, bare chested and slender, in pale makeup: the artist as breakable cherub, with a whiff of androgyny and maybe...

Author: /time Magazine | Title: Photography: Leatherboy And Angel in One | 8/22/1988 | See Source »

...those two self-portraits, only the second is in the retrospective of Mapplethorpe's work currently on view at Manhattan's Whitney Museum of American Art. But both spirits, the dark leatherboy and the angel of light, preside jointly in most of the 111 works on display. The obsessions with sex and death that are palpable in his scenes of heavy leather are still visible in the phallic tumescence and mortal shadows of Calla Lily, 1984. The straightforward but unreal quality of the S-M images is there again in his portrait of Ken Moody and Robert Sherman...

Author: /time Magazine | Title: Photography: Leatherboy And Angel in One | 8/22/1988 | See Source »

Composite portrait of Jesus, including images courtesy: Scala/ Art Resource, N. Y.; Aldo Durazzi (c) 1966 Time- Life Books, Inc.; Erich Lessing (c) 1964 Time- Life Books, Inc.; The Bettmann Archive; Curtis Hooper/ LIFE; Aldo Durazzi/ LIFE

Author: /time Magazine | Title: Time Magazine Contents Page August 15, 1988 | 8/15/1988 | See Source »

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