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...sits in a chair on the stage of the Kennedy Center's Eisenhower The ater, Ralph Richardson somewhat resembles Graham Sutherland's portrait of Winston Churchill. His legs are squared apart and appear sturdily embedded in stone. His arms are welded to the arm rests, yet they seem mobilized to catapult him into action. His eyes are banked fires set in a sulky sullen face a trifle mangled by time. As with Churchill, a pixie lurks beneath Richardson's countenance, momentarily threatening to bolt into some unpredictable bit of mischief...

Author: /time Magazine | Title: Theater: Caustic Imp | 6/8/1981 | See Source »

...condition that there would be no discussion of "the family" or other personal matters. Questions would be directed to her work, and to make sure nothing slipped out. Deane Lord, director of the Harvard News Office, would be present throughout. Nevertheless, the piece ended up as a psychological portrait of the first lady entitled. "Sissela Bok: What does she do Till Derek comes home...

Author: By Sarah Paul, | Title: Sissela Bok: In No One's Shadow | 6/4/1981 | See Source »

Calling the '70s "a decade of second thoughts." Horner quoted Daniel Yankelovich in describing America's shift from "an uptight culture in a dynamic economy to a dynamic culture in an uptight economy." She cited as the decade's three major areas of conflict "changes in the portrait of America"--especially the growing numbers and status of minorities: women's roles and their movement to the workplace: and changes in the economy, between the U.S. and the world and between the public and private sectors...

Author: By Amy E. Schwartz, | Title: Bok, Horner Address Baccalaureates | 6/3/1981 | See Source »

...comprehensive group portrait of the veterans has become available in the past few weeks. The Veterans Administration has published a five-volume study of Viet Nam veterans by the Center for Policy Research in New York City. Viet Nam veterans, the study concluded, have been paying a disproportionate social price for their experience. The war tore loose the wiring in many of their lives...

Author: /time Magazine | Title: Essay: Bringing the Viet Nam Vets Home | 6/1/1981 | See Source »

...FORTUNE the gritty, yet poetic texture of industrial America in the 1930s, and her shot of Montana's Fort Peck Dam graced the first cover of LIFE. Bergen took to the shutter when her film career faltered, and in 1972 also made the cover of LIFE with her portrait of Comedian Charlie Chaplin and his wife Oona. Still, it will take all of Bergen's technique on both sides of the camera to convey the legendary perfectionism of the fabulous original. Gandhi, who was photographed by Bourke-White in 1946, captured her technique with an admiring nickname...

Author: /time Magazine | Title: People: May 25, 1981 | 5/25/1981 | See Source »

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