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Word: portraited (lookup in dictionary) (lookup stats)
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...life on the road, then split. Six: Frank returns to her. Seven: this time they do kill Nick. Eight: they make love over his corpse. Nine: they are charged with his murder. Ten, Eleven, Twelve ... In bold, remorseless strokes, and fewer than 100 pages, James M. Cain etched a portrait of animal lust and human need, of mania and the Depression, of the original sin and spectacularly convoluted forms of retribution. Its narrative travels the arc of electricity from the first shock of sexual attraction to the final jolt of death-row juice. The 1934 novel was a banned...

Author: /time Magazine | Title: Cinema: Post Mark of Cain | 3/23/1981 | See Source »

That is what Carlos Franqui, a Cuban emigre writer living in Italy, contends in Family Portrait, a chronicle of the Castro years to be published in Spain next month. According to Franqui, an old Castro comrade who left Cuba years ago in anger over Moscow's increasing influence, the incident occurred Oct. 27, 1962, at the height of the U.S.Soviet confrontation over the presence of Soviet missiles in Cuba. On that day, the Cuban President was visiting a Soviet missile base in Pinar del Rio, southwest of Havana. When a U-2 appeared on the base's radar...

Author: /time Magazine | Title: Did Fidel Push the Button? | 3/16/1981 | See Source »

After Bryan Organ's portrait of Princess Margaret was unveiled in 1970, the artist "awoke to the most horrific morning of my life." One critic insisted that Organ, 45, "must have had a migraine" while painting it; others were even less kind. The Royal Family evidently did not concur, for they agreed to have Organ do the first official portrait of Prince Charles, 32. The completed work was hung in the National Portrait Gallery earlier this month, and reaction was tepid. Said one critic: "No one could possibly enthuse about it." What did enthuse just about everyone, however...

Author: /time Magazine | Title: People: Mar. 2, 1981 | 3/2/1981 | See Source »

Roberta Maxwell's Mary is an acutely devastating portrait of a prima donna. She is vain, she is cruel, she throws temper tantrums, she is self-pitying, she is totally selfabsorbed. Unthroned, she is crowned in the dazzling radiance of her pride. Maxwell is in the top rank of U.S. actresses, and she proves it again in this kaleidoscopic performance...

Author: /time Magazine | Title: Theater: Regal Romp | 3/2/1981 | See Source »

...even more to an analytic actor's intelligence that is restless and ruth less at once. "If I couldn't defend a performance intellectually, I'd be very un happy indeed," McKellen remarks, and his Salieri is a seamless reconciliation of paradox. It is a portrait in depth of a shallow man, a forgotten 18th century court composer so bedeviled by jealousy, the shock of his own mediocrity and the daunting genius of his principal rival that he encouraged Mozart's ruination and hastened his death. Full of wit and passion and measured extravagance, the performance...

Author: /time Magazine | Title: Show Business: Class of a Very Classy Field | 3/2/1981 | See Source »

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