Word: portraited
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...women, their faces blurred by laughter or squinched up into pug masks of greed, seem to predict by ten years the jittery misogyny of German expressionism. Woman in Blue, 1901, with her fierce little Aubrey Beardsley whore's head surmounting the dress of a Velázquez court portrait, is an especially compelling example...
...1890s, as well as young Turks like Picasso. He had studied Puvis's frescoes in the Pantheon, and their upright, formalized mien gave the measure to his big allegory of young love and despair, La Vie, 1903. (Originally the young man in the painting was a self-portrait, but Picasso turned it into the face of Carlos Casagemas, the friend who had come with him to Paris from Barcelona and then committed suicide for love of an artist's model...
...Rose Period hardened: through 1906 the faces took on an increasingly masklike air, blank, inexpressive, with empty eye sockets. Picasso had been looking at archaic Spanish carvings from Osuna. Now he stressed the sculptural, instead of the linear and atmospheric: solid impacted form, not fleeting mood. His 1906 portrait of Gertrude Stein, almost leaden in its pictorial ineloquence, marked the start of this change, and the pink stony torsos of Two Nudes, 1906, delineate the period's end. In between lay some magnificent paintings, such as the Seated Female Nude with Crossed Legs, 1906, whose solidities of thigh, trunk...
...pranks, quirky, increasingly aloof, mercurial, yet often remarkably generous and warm. In Viva Picasso, a book to be published by Viking next fall, Duncan describes how, in the course of preparing some Picasso canvases for photography, he took a swipe with a feather duster at a 1938 self-portrait-and smudged a part of the canvas. Writes Duncan: "I spent the whole morning dabbing with spit-moistened Kleenex trying to reduce the damage, to clean away the smudges." By lunchtime, the hour at which Picasso usually got out of bed, Duncan, his face gray-green, had to confess his crime...
Finlay Lewis, now the Washington bureau chief for the Minneapolis Tribune and a journalist who has covered Mondale for a decade, goes a long way toward unraveling the mystery of the Minnesota Fritz. In his unusually candid and balanced portrait, Mondale emerges as a man of unusually good political fortune who knows how to take advantage of the many opportunities that roll his way. Clearly he is a specialist in backroom politics, and that may account for the fact that he was appointed to nearly every significant post he has held. His liberal idealism is tempered by a well-developed...