Word: portraited
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OLIVIER PRESERVES the classical rhythm, the curling-up pitch at the end of a line and the elongation of select syllables until they detonate, and he fuses all this with bravura good-humor. Compare this portrait to his massive, thick-featured, iron-rimmed Nazi dentist in the Marathon Man and you've good example of why people label this great man the most versatile actor who's ever lived. Olivier is on-screen more than anyone else in the The Boys from Brazil, and he hasn't had a movie role this large since Sleuth...
Above all, Max mistrusted the dry, academic approach to literature. Wolfe, who in You Can't Go Home Again provided the best portrait of Perkins before Berg's book, tells of a conversation Max has with one of his daughters...
...eyes of an old Cold War liberal." It is a shame, many write, that such a wealth of information about Kennedy had to come from the typewriter of such a loyal adherent of the clan. That Kennedy was an idealist, they don't dispute. But they resent Schlesinger's portrait of Kennedy as an ideal idealist--an untainted saint. Sure, Schlesinger received a Pulitzer Prize for history (1945) and one for biography (1965), but he also served on the campaign staff of Adlai Stevenson in the '50s and as special adviser to President Kennedy in the '60s. Can he hope...
...totally missed the connection between Roger Gicquel and Walter Cronkite in your uncritical portrait of the French TV anchorman [Sept. 25]. I never noticed any pompous morbidity or any Christ complex in Cronkite. The old man is a charmer because there are wisdom and warmth in his restraint. Besides, he has a quiet sense of humor that his younger imitator lacks. As a Frenchman I feel I deserve better than Roger Gicquel...
Pepita, ostensibly a biography of Victoria's mother, offered a devastating portrait of Vita Sackville-West's own mother, a "pure undiluted peasant," whose tantrums made austere Knole echo like some Andalusian marketplace. Victoria, wrote her daughter, was "a powerful dynamo generating nothing," an imperious, high-strung woman given to firing her servants on a whim and more turbulent than Lady Macbeth. "I think perhaps you do not realise," Victoria complained to Lord Kitchener in the midst of World War I, "that we employ five carpenters and four painters and two blacksmiths and two footmen...