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...verdict was thumbs down. Henry Kissinger did not like the portrait painted by Boston Artist Gardner Cox. One viewer thought it made him look "somewhat a dwarf," and another pronounced it "a rogues' gallery thing." Not surprisingly, the Government, which had commissioned the art to hang in the State Department with Cox's portraits of former Secretaries Dean Acheson and Dean Rusk, rejected it. "We felt that the portrait lacked Mr. Kissinger's expression-the dynamism which exudes from him," said State Department Curator Clement Conger. Cox will be paid $700 in expenses...

Author: /time Magazine | Title: People, Apr. 3, 1978 | 4/3/1978 | See Source »

...doomed future, Straight Time makes a fetish of refusing the audience any frills. The movie aims only to describe its unappealing protagonist as coolly as possible-without tears or laughs or passion. This it accomplishes, but at a very steep price: while Straight Time offers a convincing portrait of a loser, it never gives us any reason to care whether the portrait is genuine...

Author: /time Magazine | Title: Cinema: Hard Labor | 4/3/1978 | See Source »

Oddly enough, Berry's performance steals the movie because in its bumptious raunchiness and total lack of innocence it portrays the spirit of rock and roll far more compellingly than this whitewashed portrait of Alan Freed ever could...

Author: By Joseph B. White, | Title: The Way We Weren't | 4/3/1978 | See Source »

Outside, rain spattered the windows of University Hall, the highceilinged, portrait-lined administrative heart of Harvard. Inside, there was not a vacant chair in the hall's steamy conference room as some 200 members of the faculty of arts and sciences convened for a highly charged debate. The topic: a complete overhaul of the undergraduate general education curriculum, which for the past 30 years has served as a model for higher education...

Author: /time Magazine | Title: Education: Pulling Back from Permissiveness | 3/27/1978 | See Source »

Could there be something Freudian about a painter who invites his mother to sit for a portrait not once but more than 1,000 times? Definitely, since the man is Lucian Freud, grandson of the founder of psychoanalysis. An exhibition of Lucian's works, including five oils of his mother Lucie, 82, will open in New York City's Davis & Long gallery on April 4. "My work is purely autobiographical. I work from people that interest me," explains Lucian, 55. The exhibit psyched up a London Sunday Times critic. "You can call it odd or art," he wrote...

Author: /time Magazine | Title: People, Mar. 27, 1978 | 3/27/1978 | See Source »

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