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Jamie Wyeth's cover has given us not only a compelling portrait of our new President but an evocative commentary on the American dream as well...

Author: /time Magazine | Title: Letters, Jan. 24, 1977 | 1/24/1977 | See Source »

...could have danced all night," sang First Lady Betty Ford- and to prove it she took a turn or two around the floor of the Ford's private White House quarters last week with Canadian Photographer Yousuf Karsh. During a 3½ hr. portrait session, Karsh caught Betty in a reflective pose after he told her that his Ottawa home is called Little Wings. She promptly produced a small Boehm porcelain-bird figurine from among the household possessions. After his own portrait session, President Ford asked Karsh to get in touch the next time he visits Palm Springs, Calif...

Author: /time Magazine | Title: People, Jan. 24, 1977 | 1/24/1977 | See Source »

Early sacerdotal portraits of this kind are seldom seen in the West, because most of the surviving ones remain in their temples and are the most sacred of cult objects. The Zen master sits in the lotus position on a plain bench; his robe falls almost to the ground; a pair of empty slippers fit below its hem. Its spread belies the slenderness of the old priest, who was probably about 80 when the likeness was made. His face is all parchment and bone. The prow of a nose and the jutting underlip have a fierce antique gravity, like Renaissance...

Author: /time Magazine | Title: Art: Wooden Priests, Painted Dragons | 1/17/1977 | See Source »

That spectacle would have made a King Kong-size story for New York, the small but influential weekly that celebrates the life-styles of the city's rich, its powerful and its houseplant owners. (Felker's editors indeed commissioned Cartoonist David Levine to draw a stinging cover portrait of Murdoch as one of those South American killer bees beloved of Murdoch-style tabloids; Felker thought better of it eventually.) But there almost was no new issue of New York. Nearly all the magazine's 125-member staff walked out in support of Felker, and only some last-minute help from...

Author: /time Magazine | Title: THE BATTLE OF NEW YORK | 1/17/1977 | See Source »

Drawing almost exclusively on Thomas's prose, including A Portrait of the Artist as a Young Dog and Quite Early One Morning, Williams sifts with poetic brilliance through the author's memories and fantasies of childhood. These emerge as a series of sharply recollected details amid word paintings of character and scene. Plot is virtually non-existent, but the details themselves are indelible. Bob the embezzler is a "small absconding man," who under accusation smiles "like a razor." One woman is observed to have "painted her face as though it were a wall." Thomas himself is described as a "bombastic...

Author: By Julia M. Klein, | Title: Portrait of the Young Artist | 1/14/1977 | See Source »

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