Word: portraited
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THIS PLOTLINE, plus the angry prophet's orations, are supposed to serve as an indictment of television--for screening bullshit that panders to our basest instincts instead of intelligent news programming that could educate us. But Chayevsky is the one who is really pandering. He has devised a phony portrait of television's weaknesses and hopes to peddle that message to every Happy-Talk-hating, Tom Snyder-loathing, sit-com-sickened, Dick Cavett-loving liberal who has ever been disgusted with TV's performance. And Chayevsky's dishonesty catches up with him, rendering this film into a harmless vision that...
...Organizer. In my book, this is the best political film ever made. Done by an obscure Italian director in the early 1960s, The Organizer, portrays the birth of working class organization in a small suburb of Turin around the turn of the century. Presenting an intensely vivid but unsentimental portrait of oppression, the film conveys a unique sense of what it's like for people trapped in social processes who begin to take their fate into their own hands. The director raises all of the right questions about working class militancy--the problems of racism, sexism, and sectional divisions within...
...deal stuck. As a portrait of Daley beamed benevolently down on them, the aldermen decorously voted for the agreed-upon candidates. Alderman Edward Vrdolyak, who had yielded his finance committee post to Frost, hailed the selection process. "We all came to gether and put aside personal ambitions and ego," said Vrdolyak, who is the other Croatian on the city council. "I myself lost three jobs last week...
...third-rate vendeuse of exotic surrealist tack like Leonor Fini? In such company, artists like Georgia O'Keeffe, Paula Modersohn-Becker, Kathe Kollwitz, Nataliia Goncharova and Sonia Delaunay look extraordinary; one's eye goes with relief to Goncharova's crude, provincial but raucously vital cubist portrait of her husband Mikhail Larionov (1913), the face kippered flat and streaked with voracious slashes of color; it luxuriates in the shimmer of rosy light, circle on circle, that fills the surface of Delaunay's masterpiece of 1916, The Flamenco Singer. Moreover, if the exhibition does seem...
Howard Hughes has been many things to many men-and women. But TIME's cover portrait of the dying junkie billionaire seems to be stretching artistic license rather thin by giving us not reality, the wreck, but an almost mirror image of Leonardo da Vinci's last self-portrait...