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Word: portraits (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...vocalist who has a great knowledge of African-American music history, as well as a desire to innovate. On her live album she not only evokes Billie Holiday, Chaka Kahn, Roy Ayres and Miles Davis, but she also demonstrates an amazing originality and octave range. Live is a jazzy portrait of a charming Southern gal as funk goddess. Posing on the cover as a very pregnant butterfly (Badu was expecting during the recording of the album), she comes into her own, leaving the impression that she is beautifully, sassily, definitively Erykah...

Author: By Brandon K. Walston, CONTRIBUTING WRITER | Title: Diva's Sexy Originality Inspired by R&B Greats | 11/21/1997 | See Source »

...revealing and affectionate 1997 Japanese portrait of a society where work severely circumscribes life. Brattle Theatre...

Author: NO WRITER ATTRIBUTED | Title: LISTINGS | 11/20/1997 | See Source »

...copies. Hersh is bracing for the backlash from Kennedy loyalists--and not just from them. "I've had people I've known for 30 years be cold and angry," he says. "It's going to be very tough." If Dark Side can withstand close scrutiny, its portrait of J.F.K. as a mendacious, Mobbed-up sex addict will be the crown jewel of Kennedy pathographies--the unmaking of the President...

Author: /time Magazine | Title: SMASHING CAMELOT | 11/17/1997 | See Source »

...book amplifies some of the most radioactive stories of the Kennedy era. It also promises to nail down more than it does. Even that eyebrow-raising first chapter is a tease. If those dirty files exist, Hersh didn't get them. Don't look here either for a nuanced portrait of Kennedy's presidency. This isn't the kind of book that has much to say about the space program or the Alliance for Progress. And if the Kennedy name already has a cloud over it, Hersh's book comes to market the same way. Before publication...

Author: /time Magazine | Title: SMASHING CAMELOT | 11/17/1997 | See Source »

Besides, Connor loved the piece--a splendid portrait of a woman often mistaken for Rembrandt's sister. "There are Rembrandts," says Connor, who could probably run Christie's and Sotheby's from inside the can, "and there are Rembrandts." Though it was valued at $1 million at the time, "it was actually worth" much more, he says, given the inflated art market...

Author: /time Magazine | Title: THE GREAT ART CAPER | 11/17/1997 | See Source »

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