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...virtuoso skill of piano soloist Wei-Jen Yuan ’06, before finally allowing the orchestra to come into their own. Under the direction of Dr. James Yannatos, the HRO passionately performed popular but stylistically diverse orchestra favorites, including Aaron Copland’s “Lincoln Portrait,” Tchaikovsky’s “Piano Concerto No. 1,” and Igor Stravinsky’s “The Rite of Spring...

Author: By Emily G.W. Chau, CRIMSON STAFF WRITER | Title: Yuan and Gross Shine in HRO Concert | 10/31/2005 | See Source »

...ironic that your portrait of Natalya Dmitruk, the courageous translator and signer to the deaf for the Ukrainian state-run television station ut-1, included a reference to her parents as "deaf mute." Deaf people are just that: deaf. The erroneous and condescending term deaf mute went out in the 1950s. Please don't revive it. Robbin Battison Stockholm...

Author: /time Magazine | Title: European Heroes | 10/30/2005 | See Source »

...Cambridge. The spectacle was lit by hue-changing lights and blinders (reminiscent of a Kiss concert) behind the bandstand. Death Cab took the stage with no memorable flair; their hope for humility was almost respectable.Words to describe the show and the music that followed hardly offer a fair portrait of the evening. The band only struck off-key chords a half-dozen times. But they were choreographed with kaleidoscopic lighting. The songs were splayed out well and encores were accordingly well-placed; a good mix of old and new kept the crowd awake, heads bobbing, colors flashing...

Author: By Adam C. Estes, CRIMSON STAFF WRITER | Title: Death Throes for Indie Cuties | 10/27/2005 | See Source »

...available at the Harvard Box Office (617-496-2222). $16/$14/$12, students $12/$10/$8. The Harvard-Radcliffe Orchestra (HRO) has planned a stellar concert to take place on Saturday night. The program will include three features—Aaron Copland’s “Lincoln Portrait,” Tchaikovsky’s “Piano Concerto No. 1”, and Igor Stravinsky’s “Rite of Spring.” Known as “the dean of American composers,” Aaron Copland is famous...

Author: By Doris A. Hernandez, CONTRIBUTING WRITER | Title: HRO: Stravinsky, Copland, & Tchaikovsky | 10/27/2005 | See Source »

...their secret shames. As his surname implies, Nick is forever a “Guest”: a creature of thresholds, of spare bedrooms just slightly under-furnished, of borrowed clothes and borrowed friends, always made much of but never quite belonging. Like the subject of a Renaissance portrait whose eyes or hands are deliberately enlarged to appear more lifelike, Nick has the uncanny air of being both more and less human than the rest of us. The novel’s three-part division, following the narrator in 1983, 1986, and 1987, shows his consciousness at distinct stages...

Author: By Laura E. Kolbe, CRIMSON STAFF WRITER | Title: BOOKENDS: The Gay Novel Goes Mainstream—But Are Readers Ready? | 10/26/2005 | See Source »

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