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...thick, befuddling fog settled over the presidential campaign in Boston - a blanket of contradictory facts and assertions that hasn't lifted yet. But two basic images loom through the haze. The first is Bush's portrait of Gore as a retrograde liberal who wants to patch up the edifice of the Great Society. The second is Gore's portrait of Bush as a faithful servant of the rich and powerful who wants to wire-transfer the surplus into the bank accounts of the upper class, spending "more money on tax cuts for the wealthiest 1%" than he does...

Author: /time Magazine | Title: Bush and Gore: Do the Labels Fit? | 10/7/2000 | See Source »

Sustained by media generated sound bytes and oversimplifications, the American intellect is starved of any real knowledge of the Indian subcontinent. Pigeonholed into a single-issue agenda, Americans are left with a portrait of the country that is both inaccurate and ill-informed. To most Americans, India is a nation embroiled in a nuclear arms race with Pakistan and an ethnic battle over the state of Kashmir. The victim of news analyses too watered down and politicized to be of any real informational use, the depth and complexity of the country's social, political and economic condition are lost...

Author: By Lauren E. Baer, | Title: Rethinking India | 9/27/2000 | See Source »

...even setting aside concerns over Lee's civil rights for a moment, it's worth questioning how Director Freeh's testimony will actually help the FBI. After all, if the senators and the wider public actually do buy into a portrait of Wen Ho Lee as a devious consort of a foreign power hungry for U.S. nuclear secrets, they're as likely to believe that by getting away only with time served on a single felony count he made the feds look silly...

Author: /time Magazine | Title: FBI May Not Be Wise to Whack Wen Ho Lee Again | 9/26/2000 | See Source »

...last paintings in the exhibit - 'Adeline Ravoux' (1890), a girl with blond hair painted against a black background, and 'Portrait of a Girl' (1890), a girl with black hair painted against a white background - strangely summarize van Gogh's career as an artist and his emotional maturation. He could appreciate color, but in the end, the contrast between color and darkness, or his madness, was too much for him. As his brother Theo wrote, 'Life was such a burden to him, but now, as often happens, everyone is full of praise for his talents...

Author: By Nikki Usher, CRIMSON STAFF WRITER | Title: Impassioned Expressions | 9/22/2000 | See Source »

Opposite her, the defective defector of James Carmichael '01, an ex-Russian physicist and father of Hapgood's son, provided a touchingly human portrait of man torn between the family he loves and the country he serves - whichever one it may be. Attention must also be paid to the wonderfully villainous Ridley of Tom Price '02. He possessed enough venomous charm to make a Bond villain proud...

Author: By Crimson ARTS Editors, | Title: Summer Theater Wrap-Up | 9/22/2000 | See Source »

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