Word: portray
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John Bottoms and Francois de la Giroday deliver arresting, finely tuned performances. De la Giroday's sardonic antics with the mounds of toast his drunken, bitter humor, and his ability to shift gears--to portray both a self-possessed success and a collapsed failure--are outstanding. Bottoms' stooped, hulking gait and his combination of down-dirty badness and querulous insecurity breathe life into a difficult and confusing character. He recalls Henry Fonda at his most cranky in On Golden Pond in his ornery refusal to admit that he is pleased by something done for him, his obstinate pessimism, his scorn...
Contrary to what the scenes with actual characters have indicated, the tribunal episodes portray the three as bloodthirsty, armed terrorists. The audience knows what really happened. We see another truth replacing ours, and though we don't believe it, we are powerless...
...comparison. But the premise and the setting render nothing unbelievable and Ms. Andrews. Edward's wife, is a fine comedienne. With Garner as her straight man. Andrews jumps elegantly from wicked, flirtatious girl to mock-elegant Victor. Her more serious moments, played with her friend and protector Toddy, portray a woman getting toughened by necessity and occur infrequently. Sadness and loneliness have no place in light comedy, but these occasional exhausted or despairing lapses provide a rare touch of credibility. Nothing in Victor Victoria appears too taxing for Andrew's cohorts either. Unfortunately, Garner's lead appears less warm...
These poems portray a battle between nature and the city; Harris clearly favors nature, which sometimes wins, sometimes loses. As a poet, she too is struggling for a balance between her voice and what she sees. When she "wins" and achieves the balance, she breaks through her own habitual language structures with new syntax combinations, through the limitations of whatever form she is using with a fresh attitude, and through the conventions of poetry with a unique style. Manhattan As A Second Language chronicles her fight against the weighty ceiling of writing in a world where so much has already...
...Haydn's younger contemporary Mozart who determined the character of modern opera, and in so doing rendered the works of Haydn and most other 18th century composers out of date. Mozart's ability to portray real emotions on the stage instead of stylized attitudes, and his inventive use of the orchestra as an active participant instead of merely an accompanist, powerfully influenced later generations of composers. In the works he created with Librettist Lorenzo da Ponte-The Marriage of Figaro, Don Giovanni and Così Fan Tutte-Mozart's genius transcended the conventional boundaries of master-servant...