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Word: portrayal (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...this show was not on caricature. A less famous side of Artist Bacon's work was revealed in her increasingly Daumier-like preoccupation with the seamier side of life. Like Honore Daumier, with whose work hers has often been compared, Peggy Bacon has descended the social ladder to portray Manhattan's grimmest alleys, its courtrooms, bars, garish streets at night, garbage cans crawling with kittens, drunks at home the morning-after. Result: her art is more inclusive and more subtle without becoming less satiric...

Author: /time Magazine | Title: Art: New Side of Bacon | 11/23/1942 | See Source »

...those damyankees" winds up, ironically enough, with Sam Houston appearing out of the clouds, and orating wildly with a lush New England accent. That'll give you a rough idea of what goes on for an hour and a quarter, Texas Standard Time. Broderick Crawford manages to portray a refreshingly different sort of villain, but aside from that--well, Houston had the right idea...

Author: By J. H. K., | Title: MOVIEGOER | 10/13/1942 | See Source »

...Seven Sinners and The Spoilers he turned out to be one of the best tackling dummies Marlene Dietrich has ever found. The war has given Cinemactor Wayne an unexpected break. Since outdoor violence has become one of the world's most important occupations, any man who can portray it honestly on the screen has a likely future...

Author: /time Magazine | Title: Cinema: New Picture, Oct. 12, 1942 | 10/12/1942 | See Source »

...Watching Robeson's performance, one can see this jealousy blight the tenderness of his love at the start as in his description of his love to the Duke of Venice, and develop into the towering passion which drives him at the climax to the murder of his wife. To portray the power of this jealousy which is destroying Othello's soul, Robeson does not rely upon his magnificent voice alone. To this he adds a remarkable depth of emotion which is essential in making Shakespearean tragedies believable. It is the realization of feeling behind Robeson's words and actions that...

Author: By S. A. K., | Title: PLAYGOER | 8/12/1942 | See Source »

Combined with these, the talent of the supporting cast completes the production. As the evil-spleened, ambitions Iago, Jose Ferrer mixed humor, cunning and villainy to portray this greatest of all stage villains, and was very successful in creating an Iago that could be both Othello's friend and enemy. Margaret Webster as Emilia was as competent an actress as she is a director, and turned in one of the best supporting performances of many seasons, while Uta Hagen was both charming and beautiful in the role of Desdemona...

Author: By S. A. K., | Title: PLAYGOER | 8/12/1942 | See Source »

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