Word: portrayal
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Dates: during 1980-1989
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Helms supporters say a victory for their man would be a victory for the New Right. Hunt supporters say that a Democratic triumph would be a victory for moderate, mainstream politics. Hunt aides have sought to portray Helms as the "High Priest" of a neo-rightist cabal headed by figures such as Nelson Bunker Hunt, Phyllis Schlafly, and Jerry Falwell. Hunt himself recently claimed that if Helms wins he and his "nationwide network of right-wing extremists" will swifltly move to squelch their enemies...
Beneath the cloud cover of his visions, Helms has attacked Hunt on all fronts. He has sought to portray Hunt as the fickle puppet of interest groups he believes are unpopular in North Carolina--labor unions, Blacks, and gays. A publisher sympathetic to Helms recently ran an article in his conservative paper The Leader with the headline JIM HUNT IS SISSY, PRISSY, GIRLISH AND EFFEMINATE. Helms repudiated the article, which went on to claim that Hunt had a homosexual lover, but his aides still refer to opposition staffers as "queers". Further, Helms has used their television debates to bait Hunt...
Allegro Brilliante and Giselle both portray relationships between a man and a woman. In Giselle the story follows the age-old theme of a shy, young girl meeting the impetuous, passionate boy. Balanchine abstracts this theme in Allegro Brilliante. The paradigm of love is no longer a tender glance or a sweet embrace, but a pas de deux--the balletic interpretation of the partnership between the sexes...
Exploration of the theatrical mode of expression unifies the project, "What is the relationship between the observer and the performer? What does it mean to portray a character, to create a mood, or tell a story? These are questions we are addressing," said von Baeyer...
...faded in red ink and rancor. The same black community leaders who would urge Paramount Pictures to suppress Ralph Bakshi's "racist" film Coonskin (and, a decade later, Sam Fuller's White Dog) were condemning blaxploitation as image suicide. Moreover, white liberal producers, reluctant to portray black men as rapists and dopers, failed to come up with alternatives. "If you're not working," says Actor Stan Shaw (Roots II), "you don't "get better...