Word: portrayal
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Dates: during 1990-1999
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Their treatment of Bush's diplomacy is particularly problematic. While the authors conclude that Bush "made an indispensable contribution to the cold war's end," their story suggests quite another, more controversial, conclusion. Beschloss and Talbott portray Bush as an unreflective status quo conservative who found himself extremely uncomfortable with the revolution taking place in Eastern Europe and the Soviet Union. After a September 1989 meeting with Soviet Foreign Minister Eduard Shevardnadze, Bush told his National Security Adviser, Brent Scowcroft, "It's tempting to say, 'Wouldn't it be great if the Soviet empire broke up?' But that...
...bounties on Escobar's head and stepping up police pressure. Last week Escobar fired back, announcing that he would set up a private army, the Antioquia Rebel Movement, to counter the "barbaric methods" of special antinarcotics police forces. The government dismissed the threat as an attempt by Escobar to portray himself as a political -- rather than a criminal -- outlaw, another ploy to cut a deal. The continued standoff is leading to a new wave of violence. Late last week two car bombs exploded in Bogota, injuring about 20 people. Police are blaming Escobar and say it's a warning that...
...characterization of all the cast. His interpretation is wonderfully imaginative and hysterically funny. But for all its surreal humor, it never loses sight of the drama. The Revenger's Tragedy is a morality play, showing a society ruin itself through its own appetite for destruction. Had he tried to portray that moral void in a straightforward manner, Ross would have failed. The bloodthirstiness of the story is too much for the modern audience. Instead, somewhere in the final scene--with the chandelier spinning, Luxurioso gorging himself on peas and dancers in surgical robes gyrating to the tune of "Supermodel"--Ross...
...when she pops into the palace kitchen for orange juice, the staff is horrified). Charles is merely a wuss; the real heavies are his priggish parents, forever sniffing about royal propriety. Despite the oversimplification, this TV movie is surprisingly likable, thanks mainly to Roger Rees and Catherine Oxenberg, who portray the couple with more verve and warmth than they perhaps deserve...
Perhaps Radcliffe women are too liberated to portray mincing Japanese maidens. Their collective performance never transcends the distraction of cheap costumes and dyed black hair. What could be funny is simply silly...