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...sometimes smacked of anti-feminist submission. And Beauvoir always kept her body to herself: she hid her hair under a turban, her legs in flowing mismatched skirts, her aging chest in collared blouses. Should we respect that face of modesty and keep her covered up? Or should we instead portray an independent, unapologetic woman who (mostly) practiced what she preached? Beauvoir can no longer defend herself, but I’m tempted to think that she, rather than taking offense at the picture, would have thought it a fitting portrait. After all, she wasn’t so much scandalous...

Author: By Alice J Gissinger | Title: On a Beau Voir Beauvoir | 1/14/2008 | See Source »

Western commentators tend to see political Islam as an antiliberal and irrational form of "Islamo-fascism." Yet much of the Islamists' success in Pakistan and elsewhere comes from their ability to portray themselves as champions of social justice, fighting Westernized lites--like Benazir Bhutto. Her reputation for corruption was gold dust to these Islamic revolutionaries, just as the excesses of the Shah were to his opponents in Iran 30 years earlier. During Bhutto's government, Pakistan was declared one of the most corrupt nations in the world, and she and her husband Asif Ali Zardari were charged with jointly...

Author: /time Magazine | Title: Martyr Without a Cause | 1/3/2008 | See Source »

...grew up in the 1960s and 70s, the Christmas television specials that were a December ritual of the Johnson and Nixon eras are comfort food. Seeing A Charlie Brown Christmas, The Little Drummer Boy, How the Grinch Stole Christmas and Rudolph the Red-Nosed Reindeer (even if it does portray Santa Claus early on as a grouchy bigot) can raise as many childhood memories of the holiday as tinsel and peppermint. And so we buy the DVDs for our kids, ensuring another generation of royalties for the stop-motion animation team of Arthur Rankin Jr. and Jules Bass...

Author: /time Magazine | Title: The Little Christmas Classic That Could | 12/14/2007 | See Source »

...landscapes with unfailing honesty. This is especially remarkable since his subjects—what urban geographers call TOADS (Temporary Obsolete Abandoned Derelict Sites)—are traditionally considered unaesthetic and unnoteworthy. It is ironic, then, that the elements that seduce viewers are precisely those that Brouws aims to portray as inherently destructive to our culture.The book’s three chapters—“The Highway Landscape,” “The Franchised Landscape” and “The Discarded Landscape”—are a clear indicator of the artist?...

Author: By Anna I. Polonyi, CONTRIBUTING WRITER | Title: TOME RAIDER: Approaching Nowhere | 12/7/2007 | See Source »

...directed a fictional film depicting the last night of the J. Harv’s life. FM sat down with Alex R. Breaux ’09, who played Harvard, to shoot the shit about the man himself. FM: When you received word that you had been selected to portray John Harvard, what was your initial reaction? AB: Initially, I wasn’t told it was going to be a biop about John Harvard, so I was just excited to get the role. It’s always very reaffirming when you get a bigger role in something...

Author: By Molly M. Strauss, CONTRIBUTING WRITER | Title: The Statue's Reincarnation | 12/5/2007 | See Source »

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