Word: portrayers
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Dates: during 1960-1969
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...anti-war movement is ever to broaden its perspective so as to be able to attack the entire structure of American policy in the Third World-the structure that may well lead us into new Vietnams before long-then the movement must at some time have the courage to portray the situation in the world as it is, and to argue that Third World peoples who are fighting for the control of their own destinies are right and should be supported. And it may be a long while before so clear an opportunity for the anti-war movement to take...
...ending was, it stemmed from a growing conviction in Washington that the impending courts-martial of the Berets would have been even messier. Two of the nation's most publicized lawyers, Edward Bennett Williams and F. Lee Bailey, had been hired by the defendants and were poised to portray their clients as victims of nasty rivalries among U.S. intelligence-gathering agencies. They would have blistered the U.S. commander in Viet Nam, General Creighton Abrams, for initiating the charges and would have exposed jealousies between the regular Army and the elite Special Forces. The cold-blooded killing of double agents...
Procaccino never tires of life-style comparisons. "Mr. Marchi," he says, "does not fit into this category of people that have to work with their hands, with the sweat of their brows and so forth." He tries to portray Lindsay as an effete jet-setter: "A clean neighborhood is more important to people than poetry reading." That, presumably, was a crack at Lindsay's narration of the text accompanying a performance of Aaron Copland's Lincoln Portrait. "I am not one of the select few," Procaccino insists. "I am not one of the Beautiful People...
STAIRCASE. Rex Harrison and Richard Burton portray two bickering homosexuals struggling with middle age and loneliness. This unobtrusive film never yields to the temptation to play its two deviate characters for laughs...
Once upon a time, Hollywood was a town without a country. To portray small-town America, camera crews would generally go no farther than the studio lot, where an idealized Main Street stood gleaming in the California sun. It is much to the credit of Director Francis Ford Coppola that he refused to accept that kind of prefabricated fakery. Bundling a handful of actors and technicians into a fleet of cars, he drove from New York to Colorado, filming a story about a young married woman on the run from responsibility. The result, called The Rain People, has such...