Word: portrayers
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Dates: during 1960-1969
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...Metropolitan Opera Auditions, made his Met debut in Cosi Fan Tutte as a last-minute substitute for an ailing tenor, and was promptly acclaimed the find of the season. In the years since, he has sung leading roles in Madame Butterfly, Simon Boccanegra and La Traviata, next season will portray Count Almaviva in The Barber of Seville. "Fifteen years ago," says Shirley, "I probably wouldn't have been accepted by the Met. Ten years ago, I couldn't sing my favorite roles. Times are changing...
...last week the Missionary Sisters of the Sacred Heart of Jesus, the order that Mother Cabrini founded, showed it was just as adept at deflating phony publicity. "We feel very strongly," wrote Mother Ursula, president of Cabrini College, Radnor, Pa., "that Miss Loren is the worst possible choice to portray a holy woman." In the first place, there were "the bigamy charges." And secondly, her protest continued, "Sophia doesn't have the physique. Mother Cabrini was a small, slender woman. Miss Loren," Mother Ursula observed, "is bulky...
...next performed the world premiere of conductor James Yannatos' Prieres dans L'Arche, a setting of four poems by Carmen Bernos de Gasztold, scored for a small orchestra and soprano. In each poem an animal characterizes himself in a prayer ending with "Ainsi soit-il." Yannatos does not portray the animals, but the attitudes they represent. The animals' feelings are summarized by their way of saying amen, and the score provides the interpretation which the printed page leaves to the reader. For instance, the cat, aided by a marvellously meowing orchestra, says amen in smug anticipation of God's curse...
...OXFORD HISTORY OF THE AMERICAN PEOPLE, by Samuel Eliot Morison. The historian-admiral draws heavily on his earlier works to portray the sweep of the history of all American peoples. His perspective on recent history is naturally close-up and highly personal, but the book is admirable and solidly readable nonetheless...
Only with the British does Culpepper give his cast definite characters to portray. But I wonder just what purpose the farcial staff conference serves. It is the only enjoyable scene, but how it relates to the rest of the play isn't clear...