Word: portrays
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...difficult because every actor in the production played a preassigned role in a drama with a preordained ending. And because Starr--though he tried to portray himself as an earnest public servant guided only by his reverence for the law--couldn't help veering, sometimes coyly, into political finger wagging. In the middle of his sober presentation there was Starr embracing the three Democratic Senators--Pat Moynihan, Bob Kerrey and Joe Lieberman--who had dared go to the floor in August to say that Clinton's private behavior was a public offense...
...problem that has vexed Southern Democrats for years. The public schools in states like Alabama and South Carolina are badly underfunded and consistently score near the bottom in national rankings. But tax hating is one of the South's cherished pastimes. Carville's epiphany was that if Democrats could portray the lottery as a tax-free way to improve education, government spending could once again become a winning issue. And the Republicans, hostage to the Christian right's antigambling fervor, would be painted into a corner...
Your article "Warming Up To Fur" attempted to portray the fur industry as making a healthy recovery [FASHION, Oct. 19]. But everyone knows that in producing a luxury fur, cruelty is inflicted on the innocent victims: leg-hold trapping, anal electrocution, neck wringing, overcrowding of cages in factory fur farms and the myriad other ways the killing occurs before the "fashion" emerges. Seeing someone in fur, I used to think that person was either ignorant of the suffering involved or insensitive to it. But today neither excuse is in fashion. GRETCHEN WYLER, President Ark Trust Inc. Encino, Calif...
...found "Just a Squirrel Tryin' to Get a Nut" (Fifteen Minutes, Nov. 5) to be in very poor taste. Alicia A. Carrasquillo '00 and Avra van der Zee '02 portray Wellesley women as self-loathing desperate individuals who will engage in casual sexual encounters for reasons as empty as avoiding cab fare home...
...critical and commercial success of The Bonfire of the Vanities in 1987 made Tom Wolfe a rich and very gratified author indeed. That big, boisterous novel, his first, proved a point that he had been arguing, much to the annoyance of literary folks, for years: American fiction could still portray the hectic complexities of contemporary social life, could still capture the textures and rhythms of a seething modern city, if novelists would just leave their desks, maybe take a sabbatical from their professorships in creative writing and go out and report on the fabulous stuff taking place all around them...